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Showing posts with label race. Show all posts
Showing posts with label race. Show all posts

Sunday, 4 November 2012

the walking dead season 3 liveblog! episode 4: killer within.

Posted on 17:34 by Unknown
please forgive me this brief preamble!  or, you know, don't.  all good.
so, your friendly (ha!) ...pretty much a movie! bloggers had the impossibly good fortune to see the following song performed live on october 25:

...the killer in me is the killer in you...

and now, less than two weeks later, our favourite sunday-night zombie apocalypse drinking fest is airing an episode titled "killer within."

(link)


what will happen this week?
will michonne get her sword back?
will the woodbury folks meet the prison folks?
(will the writers stop ignoring the comics?)
will rick and lori kiss and make up?
(see above parenthetical point?)


(she's got a great point, no?)

follow us over the jump to learn all that and more!






8:30 - so as per usual, you're early, and we're drinking, eating and watching bob's burgers. feel free to say hi, tho - what were your hallowe'en costumes? we were jack and zero from the nightmare before christmas, and not in fact a skeleton and his ghost elephant, but hey.


 
 (y'know, from this movie?)

 8:45 - seriously though, hallowe'en is good fun, and one of the few holidays that provides exercise to burn off all that booze you drink. or at least, that we drink? as per usual, make sure you're stocked up for fun. then tomorrow, y'know, go for a run or something? i don't know. apparently sitting kills you, or whatever, right?  kind of like being alive?

(the fun, happy-go-lucking nature of zombieland is certainly lacking in this series.)

8:50 - just a reminder, we're drinking james ready beer, and david's teas tonight. cheers!

9:00 -  so, previously on the walking dead, the governor is a sick freak. rick and lori are a little troubled, and rick is crazy.

9:01 - it's morning. owls who, and somebody picks up a gas can and a half eaten deer. there are apparently plenty of deer around still.

morning time at the prison and it's pretty. and foggy.

somebody tosses rocks at a few walkers, and it turns out that the deer was some bait for them. half of it near the door, more strung up inside.

someone runs out behind them with an axe and weapons. he cuts the chain on the front fence and swings open the door, leaving a heart on the ground whose was it?. oooh, a black dude! who's he? maybe it's andrew, or tyrese?  unless he was the guard in woodbury. any way, somebody's stealing some shit from the gang and opening up their front fence and leading walkers to it. maybe it's... a trap?


anyway, here we go with credits, and then commercials.

9:05 - and we're back. rick, and daryl are moving some cars around, making some blockades
getting ready to burn bodies. glen and maggie are up in the guard tower though.

"up in the guard tower? they were up there last night!"

daryl calls them out, and here comes glen with no clothes. yay, humour.

9:06 - ooh, a wild t-dog appears, and he's noticed things. the inmates are coming to have a convo. that guy from earlier was wearing inmate shit.  (psst!  i think it's andrew!  do you?)

any way, they can't live in there another minute.

"you follow me? all the bodies? blood, brains everywhere. there's ghosts."

9:07 - the inmates are trying to clean the bodies out, but every time they do, walkers come. basically these guys beg rick to live with them.

"our deal is non-negotiable. you either live in your cell block or leave."

one of the inmates is angry (oscar?).

"i told you this was a waste of time. these guys are like the pricks that shot up our boys."
 
oooh, then they mention andrew and tomas.

"we've all made our mistakes to get in here, but some of those guys were good dudes. protecting us from guys like andrew, and tomas."

i guess that guy was andrew, dude dropping hearts and stuff (as do i!  that is, i assume he was andrew.  not that i traipse abut dropping hearts).

these guys say they've paid their dues, and would rather hit the road then stay locked up.

rick checks with daryl, and daryl says no.

9:08 - rick to t-dog
"you want to go back to sleeping with one eye open?"

t-dog to rick

"i never stopped."

 
(link)

this is probably the best t-dog moment OF THE ENTIRE SERIES.  rick actually seems taken aback by the statement, but i suspect he will be distracted (perhaps willfully) from taking it to heart.

9:09 - anyway, the group discusses the worth of convicts' lives.

glen says they can't even kill walkers.

maggie says they're convicts and nothing more. ouch, maggie.

daryl says he grew up with guys like this and could have been in there with those guys as easily as those guys. that said, they can take their chances on the road.

t-dog (who's getting tons of lines - i mean, for t-dog) says the group members probably have more blood on their hands than the inmates do.

rick tells some hard luck cop story with seemingly no point (seriously, it's like "the justice system fails, so convicts should all be left to die")...

9:10 - ... and we're back at woodbury.

michonne stalks around.

these natural light shots aren't bad.

any way, michonne is checking out some of the gear woodbury has obtained from their most recent trip out. truck mounted machine guns with no bullets and fresh blood? suspicious, no?

"pretty amazing," the governor says as she jumps down (having gotten the jump on her).

 "we find more ammo, we could cut down a whole pack of biters," he says, going on to say he knows her and andrea are leaving.

"you seem like you're holding your own," she tells them. "even the national guard was run off."

now michonne is questioning the governor and his story, and evading his attempts to flatter her into what he suggests will be fighting alongside their community (though we have our suspicions)

he claims the men were heroes and tows his line.

michonne is wise, seeing the bullet holes...

"you think biters figured out how to use weapons?"

governor keeps going on lying.

these two have it pretty terse, conversation-wise.

"it's too bad what happened to welles," michonne says.  "no funeral?"

governor says they couldn't do anything, and he was cremated.

"thank god, at least no one knew him," the governor says.

michonne gets up in his face "thank god."

9:13 - back at the jail, they're getting ready to let the prisoners out.
t-dog is questioning rick, and rick pushes more of his us vs them, bullshit.  but the foley is pretty good here.

 
(link)

daryl gets on his nazi bike (it has an ss decal) and the mustache inmate starts offering motorcycle tuneups and the like. the men drive off.

9:14 - back inside the beth and carl ship is still sailing.

here comes the vomitous ship, heading your way!
(link)

everyone goes in to visit hershel.

he's tired of looking at the bottom of a bunk, and pushing himself out of bed.

the actor has lost some weight.

"you know, i think i'm pretty steady," hershel says.

lori offers rest, but he wants to go on a stroll.

9:15 - back at woodbury, michonne and andrea discussing heading to the coast - find some water, maybe a boat, then an island.

"what if the coast is safe," andrea asks.  "

"rather take my chances out there than stay here," michonne says.

andrea says michonne feels something off in her gut about the governor. michonne tells her it's gotten them that far.

9:16 - glenn hands some food over to the inmates, and then they're sequestered in their little holding spot.

then the men go back to discussing clearing out the bodies.

"i don't want to be planting crops in walker rotting soil," rick says.  seems like one of his better brainstorms.

9:17 - hershel makes it outside, and notices the groups progress. glen shouts some cheers to him (look how much their relationship has progressed!), which of course riles up some walkers outside.

9:18 - the whole group's morale is up, seeing hershel out and about. rick and lori look happy, everyone looks at one another and smiles.

but then of course, five feet away from carl are some walkers... apparently somebody let them in. everybody starts firing, but there are quite a few.  again!  again with this fucking show, it's like walkers sneaking up on you in fucking saskatchewan!

 
(link)

rick and daryl run to catch up with the group. hershel and beth are chased by a walker, but hershel fights it off with his crutches.

9:19 - t-dog notices the gate is open.

the group continues slowly making their way to safety, with lori, maggie and carl making it inside.


9:20 - more fences are closed up, but then t-dog is bitten, and carol trapped outside with him.

t-dog!  nooooooo!
you were finally getting your chance to shine!
and then they killed you off like 20% of the way through the episode!!  why?!?!!
(link)

he blasts a walker and runs off. as we head to commercial.

shit. you can't amputate a shoulder.

9:24 - we come back, and apparently andrea's showing merle where they were staying before. this leads to gross conversations about merle being an asshole and andrea being a cast off. anyway, she ends up circling the location of the barn on a map for him. apparently it's off route 9? it's bad news, really.
goddammit, andrea!  giving merle a map with the farmhouse circled?  really?  she is...very trusting.  and now merle is...inappropriately sexual?

"how come we never hooked up?"
"you called me a whore.  and a rug-muncher."
"got a way with word's don't i?" and after a moment's pause, "why are you doing this?"
"i'd want the same thing if it was my family out there."
"sure you don't want to come with me?  you ain't curious about the old gang?"

but andrea is still feeling bruised about being abandoned by the group.  and you know fair enough!  when did they even realize she was gone?  i feel like it was well after they had ricktocracy drama by the fire, but i could be wrong.

"ain't that a pig sack?  we got something in common, blondie.  we got left behind by the same people, and saved by 'nother."

merle says that the governor is a good man, when asked this directly by andrea.  this is...not what i would call a ringing endorsement.

9:26 - just when rick and the others think they may have the situation under control (but i want to know what happened to carol!  and we miss you already, t-dog!), sirens begin wailing and attracting all kinds of walkers.

9:27 - in the prison, everyone regroups with the situation almost under control, and we learn of the circumstances. t-dog's the only one bitten, but different people are held up in different sections. glenn's beheading walkers when the alarms start going off.

one of the inmates says it's probably the generators dying. he knows about this stuff because he worked inside for a little bit or something? any way, everyone is mistrustful of the inmates (now that t-dog is dead or dying), figuring they were responsible.
either way, loads of walkers are coming. they try shooting out the alarms, but fail and head inside to turn them off.

9:29 - t-dog and and carol are running through the halls and she tells him he should stop, and he's been bitten and goes on about the code, but this is god's plan or something?  i'm happy to see that carol and t-dog are in this, and she wants desperately to protect him.

then we cut over to carol, lori and maggie, who are running about and chased closely by walkers (surprise.) carl asked lori if she'd been bit, because she's running in a bit of a laboured (ha!) fashion.
oh great!! now it looks like lori's baby is coming!  let's hope it's just the wacky sitcom plot device of false labour.

 
an undigested bit of beef, a bit of underdone potato.
(link) 

anyway, carl leads the way down a hall way, and into a room with a sign we can't make out.

maggie rushes to lori, who's bent over against the wall in obvious distress...

then we go to commercial

9:33 - back at woodbury, the governor is golfing off one of their walls when merle approaches and comments on his swing.

they exchange sexist remarks about golf, women and traditions.
"...take only women and let them play.  it'll be historic."
(merle, smirking) "and break decades of tradition?"
"exactly."
"i don't know...some things are worth hanging on to."

...is that like a racist psycho's version of chekhov's gun?  'cause i'm betting yes.

merle wants to go on a scouting mission.

"blondie. she says my brother is still alive."

"eight months ago. you can track with the best of them, but..."

merle wants to go after daryl, and the governor seems hesitant.
he doesn't want people getting hurt (uh, which people?)

merle wants to go on his own, and it seems the governor won't let him.

"this whole place would fall apart without you."
"it's my brother."

"i know my brother.  if he's out there, i'll be able to find him."
creeeeeeepy.  poor daryl!  considering how much merle used to abuse him, that is.  or at least, how much we infer this was the case, based on the minor amount of backstory we got through that one decent-ish episode of last season.

the governor tells merle that if he gets more solid info he'll come with him himself.  he him him he he.

9:35 - we come back with a nice mix of alarm/gun shot sound, and rick is screaming for lori and carl. he's pretty pissed off.  we haven't seen rick panic like this over lori since maybe season one!  it's pretty intense, though slightly confusing.

"somebody is playing GAMES!"



back in the room with carl and lori, we find out the baby is coming now.  oh man, is this when lori dies? 

carl's freaking.  oh man, poor carl.  but really, POOR LORI!  JESUS FUCKING CHRIST!
how frightening, and also how awkward!

this umm... is totally in the comics?

(it's not.)

"you're going to need to help your brother or sister, are you up for it," maggie asks carl.

so now there's like, an intense scene where lori is birthing? standing up, cause she couldn't sit?
great.

carl is totally peeking though.

9:37 - maggie tells lori to stop pushing, and there's a reveal that she's bleeding badly.
"lori, stop, don't push!  something's wrong!"
ay, did she rip her - what is that part called?  forchette? - or is this due to the zom-baby?  i can't even
i am
very unsettled by pregnancy-themed body horror
you guys
seriously

below, carol and t-dog are trapped. they've run out of bullets and some walkers have cornered them in a hallway. heroically, t-dog rushes them and pins them to a wall giving carol room to escape. as he's eaten alive, she looks back and he screams "go."

goodbye t-dog, you were pretty awesome when they remembered you were there.  which was...um...

(link)

drink, and pour one out.

commercials.

speaking of commercials, hey... kevin smith. you're pretty irrelevant these days.
how about you go, oh, i dunno - do something?

9:42 - shot opens on michonne's sword.
andrea and the governor discuss her leaving. andrea is silly and tells everyone anything they ask.

governor offers a drink.

"i haven't had hard liqour in a while. i'm sure my tolerance is close to nil."
"lucky you."

9:43 - yeah, so the governor deeefinitely just gave andrea a look like he is thinking about corralling her in the breeding farm he obviously has.    yeesh.  then he starts asking emotionally probing questions about her family, prompting her to toast "to better days," despite her previously avowed lack of tolerance for hard liquor.

dear television show:  please don't do it.  please do not go there.  you...you know what i mean. back to a synopsis:

the governor thanks andrea for giving merle the info about daryl, and then asks if she's found what she's looking for.

andrea explains she's lost everyone.

apparently the governor lost his wife 18 months before the thing happened. car accident. just him and his daughter now? well, that is in the comics.

so andrea takes a drink "to better days"

"truth is, i don't know what i'm looking for. truth is, for the longest time, it was all about survival."

they talk about how economics and social norms aren't the driving forces of day to day life. marriages, mortgages, etc.

andrea says everything's changed so much

"the scenery. the landscape. but the way we think..." the governor gets up in her face, and she decides it's time to leave.

"merle will see you out. he'll have your weapon. remember, it gets tough out there. you're welcome back at any time."

"thank you, governor."
"phillip," he responds.
"i thought you never told anyone your name."
"well, someone recently told me never to say never."

they have some creepy-cute never say never shit, and i can't be asked to reference beiber, so i move on.

except, of course, now you all may have that music in your brains, so...i'm an asshole?



9:46 - at the prison, they've shut down the alarms, but shit - there's an attacking crazy guy there. it's andrew! he's got an axe, and he and rick are going at it while daryl holds the door closed.
i mean, eventually he has to kill a few to make it work, but he does nicely.

rick loses his gun in the scuffle.  but no wonder andrew wants to kill you, bro.  good thing we had two expository lines about how he's a bad guy earlier, huh?  now no one will remember you tried to passively execute him by walker!  yippee!

the inmate gains rick's gun in the struggle, and in the show down, guns andrew down over rick's shoulder, swings rick's gun around and hands it back to him (all while daryl stalks him in the background)

9:48 - maggie puts lori down on the ground. she's super pale. wow.  she wants a c-section, because she wants her baby to live (she obviously can't, thanks to rick the hero).
she's hardly dialated and losing lots of blood.

"i know what this means," lori says "you gotta cut me open."

jesus!

lori wants maggie to give her an emergency c-section on the floor in a prison with no sterilization or anesthetic or  surgical tools. but hey, carl has a knife.  fuck, poor lori!  i mean, this is certainly her choice, except that she never really had a choice about whether or not to have this baby - but apparently we are skipping past that because lori dying in childbirth is like, a waaaay more character-building storyline for rick and mini-rick.  godDAMN.
and carol's not even there!!
we go to commercial with lori begging maggie to do it.  and to kill her afterwards.  maggie is resisting, maggie is refusing
but lori is begging her.  oh no.  how awful.
this was a very obvious outcome based on the previous episodes (and lack of respect for lori as a character, and not a plot device), and i kind of resent the writers for not giving us something more creative or surprising.  but it is still very emotional!  i can't deny that.

speaking of commercials, man - i play instruments. ipad minis are way to small to actually play complex things on... so don't buy it for that purpose - 'kay?

 save your money, and buy some bear mcreary music.

9:52

"i thought we had an agreement."

andrea doesn't want to leave.

michonne is upset, and walks away.

9:52 -

"you see my old c-section scar?" lori asks maggie

wooooow.  i mean, lori will die either way at this point.  but this is so terrible.  poor lori, carl, and maggie!  the goodbye between mother and son is pretty touching, and i am crying.  just a bit.  by which i mean a lot.

"you take care of your daddy for me. and you take care of your little brother or sister for me" lori insists to carl, her eyes bright with oncoming death.

holy shit. then she tells him he's going to beat this world, and that he can do it.
then she makes him promise to always do what's right?

"if it feels easy, don't do it. don't let the world screw you."

aww, they're crying, and the music is sappy, but they love each other, and it's, well. it's pretty fucking hard, man.

"maggie, when this is over you have to do it. it can't be rick!"

well, that's pretty serious.  but you know, i wouldn't want it to be rick either.  both because it would be too hard for him, and because...um...you know, fuck that guy.

maggie apologizes and then she cuts her.

9:54 - THAT WAS KIND OF GRAPHIC MAYBE?  I DON'T REALLY KNOW?

everyone screams, and then they're reaching in for the baby.

"carl, give me your hand," maggie says.

if she cuts too far, she'll cut the baby.
but she sees the uterus!  somehow?  perhaps this is less complex than i think it is.

 
(link) 

whelp, maggie's done it. it seems.
the baby is out, but it's super quiet.

oh, wow.
 there's like, a bigtime tease that the baby was dead.
the music was pretty awesome.

but then it turns out that the baby is alive.  and i'm kind of disappointed.  it would have been a much stronger message if the baby died too.

"we can't just leave her here," carl tells maggie. "she'll turn."  he insists on being the one to kill lori.  because she's his mom.
maggie leaves, and carl is left alone with lori to do what's right.
there's a pretty sweet flashback, but unfortunately it involves carl and rick instead of carl and lori.  but it is a nicely turned bit of exposition, and on theme with the sort of erasure lori was experiencing throughout the entirety of the show.
rest in peace, lori. you were a confusing, strangely written character, but you were our confusing, strangely written character.  we'll pour one out (into our mouths) for you as well.

...and hey, they stayed close to the timing of the comics at least.  sort of?

drink, and pour one out.

9:57 - as maggie approaches the door to leave, she holds back for walkers. a gunshot goes off, and carl comes out like a little child soldier.  which is a pretty horrific comparison.

in another hallway the group is slowly reconvening, the smaller groups coming together.

they find some walkers feasting on what was t-dog, and shoot them.

9:58 - daryl picks up carol's scarf.

outside hershel and beth are safe.

"what about t, and carol?"

"they didn't make it."

"that doesn't mean the others didn't," rick half yells.

everything is interrupted by the baby crying.

maggie and carl appear with the baby, and rick is pacing about, asking where lori is.  he obviously knows, and it's moderately wrenching.
maggie tries to hold him back.

"aww, no!" rick says, and begins crying.
carl does nothing.
maggie takes the baby to glenn and starts crying.
rick falls to the ground crying, completely broken (and eliminating any lingering opportunity to grieve for t-dog and carol - who may not be dead yet!).
carl walks away, crying silently and no longer able to rely on his father for strength.



silent credits roll.
nice.
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Posted in 04-nov-12, adaptation, gender, horror, liveblog, race, racism, recap, sexism, the walking dead, the walking dead season three, women characters | No comments

Thursday, 21 June 2012

django unchained: ...pretty much a trailer!

Posted on 12:06 by Unknown
(link)

and here we go with quentin tarantino's latest auteur de force (har!), django unchained.   django appears to be the second in what may be a series of historical revenge fantasies by quentin tarantino about communities of people to which he himself does not belong.  hmm.
questions of appropriation and ownership aside, inglourious basterds was immensely satisfying, save a few key moments/players.  and blaxploitation is a genre immensely suited for subversive commentary and ideas!  i suppose we'll have to reserve our judgment until xmas.

we start in the dead of night, with men being marched through the woods in chains. johnny cash plays.

they're eventually stopped by christoph waltz, driving a horse-drawn wagon.


"good, cold evening, gentlemen." so cordial! (link)

he claims to be a dr. king schultz.  wait, dr. king?  that seems as intentional as christoph waltz is white - and twice as confusing.  an intentional highlighting of the trope of white saviours, or an unconscious perpetuation of same?  possibly neither?

"what kind of doctor?"
schultz twists in his saddle to look up at the giant molar atop his wagon.
"a dentist."

i knew it!  that elfin meekness was masking a brutal lust for torture all along.  (link)

"amongst your inventory, i've been led to believe, is a specimen i'm keen to acquire," schultz states, as the camera flashes through the line-up while he waltzes past with a lantern, illuminating each man's face at a time before reaching jamie foxx.

"what's your name?"
"django."
"then you're exactly the one i'm looking for."

well now. he's no doctor. anyway, he wants django, but "hey, no sale."

the not-dentist doesn't take this too well.  or does he?  (music stops) he drops his lantern and fires off some quick gunshots in the ensuing dark/pleading-for-life frenzy before "freeing" django (music returns).  apparently it's cold, so he suggests django grab a coat off a dead man.

"if i were you, i'd take that winter coat."

that's one fine-looking coat you're wearing. (link)

django complies, treating us all to a shot of his whip-scarred upper back and raised arms.

in a conversation spliced in with scenes of wanted posters and calculated killings, it is revealed that christoph waltz, dds, is looking for some particularly bad men (the brittle brothers) whom django knows quite personally. they strike an accord to hunt them together! django is promised his freedom, and that they'll find his wife (sold by the brittle brothers to a then-unknown party), whom we learn more about soon.

"you kill people and they give you a reward?" -django

"the badder they are, the bigger the reward." -umm, herr waltz.

time passes!  this is helpfully outlined by text reading "next year."  the music takes a decidedly blaxsploitation-y turn away from the man in black as the duo is shown astride horses, and looking very dapper (i was a bit saddened by django's short hair, but i think in this context the haircut represent bodily autonomy).  they are shown hunting and killing a white man fleeing through a cottonfield.  the shots of his blood splattering against the plants are fucking exquisite.

(link)

now we learn that leo is in this, and is a plantation owner who enjoys sugar and watching a good fight.

"come on over, we've got us a fight going on that's a good bit o'fun!"

"coco, give me some sugar."

(link)

oh, also he's the one that bought django's wife off those aforementioned evil dickbags.  she is a gorgeous woman in saffron and gold dress, whose face is partially obscured by a fancy glass from which she drinks.

oh, and could you get me a soda?  in a crystal goblet. (link)

  sadly, we still don't know her name.  between the violence, the decadence, and the disregard for humanity, this scene is pretty effective.

back to django!  who, on the other hand, enjoys killing people and dressing like austin powers.

"so you really free?" a black woman who is presumably enslaved asks.
"yes."
"you mean you wanna dress like that?"

(link)
(link)

a fun montage of violence including sprays of bloody flesh into the snow, django whipping the shit out of a slave-owner (not literally, as far as we are shown), and the explosion of a horse-drawn carriage - including the horses.  damn.  can't say i care for that, although the edit makes leo seem to be pretty excited by it.

splashy actor rundown!  jamie foxx!  christoph waltz!  leonardo dicaprio!  kerry washington! and samuel l. jackson!

"i like the way you die, boy," django tells a man after shooting him in the chest (seen above).  it is a fantastic line that will undoubtedly be revealed to be a call-back to an earlier line, a la batman begins.


(link)
(link)

"gentlemen," leo flourishes while stirring his drink, "you had my curiosity.  but now, you have my attention."

he's so sociopathic, it's amazing - the complete and utter disconnect required to take such glee in manipulating people and their lives!  fuck, i can't wait!

we close with a shot of jamie foxx smoking at a bar next to what the internet informs me is the original django.

"what's your name?"
"django."
*puff*
*shot of django shooting a gun*
"the 'd' is silent."

new tagline: the chains come off!  glad to see they abandoned off the chain, although to be honest, the trailer was exciting enough i considered give them a grudging pardon to keep it.

poc count: approximately 17
poc count (speaking): 2


our verdict?
...pretty much a trailer!
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Posted in appropriation, christoph waltz, django unchained, jamie foxx, kerry washington, leonardo dicaprio, pretty much a trailer, race, racism, revenge, tarantino, trailer review, violence | No comments

Friday, 25 May 2012

the great gatsby: ...pretty much a trailer!

Posted on 08:14 by Unknown

(link)



hey look! it's new york, full of overexposed brightness and overhead camera angles!
and tobey's telling you about it.  well, listen to who's started acting again.

"new york, 1922.
the tempo of the city had changed sharply.
the buildings were higher,
the parties were bigger,
the morals were looser and the liquor was cheaper.
the restlessness approached hysteria."

yay!  black people!  insanely fashionable black people, i might add - in a convertible?

tom: hey, do you like convertibles?
jane: sofas?
(link)

so apparently big CGI buildings, car parties, and vocoders are signifiers of decadence in the 1920's? i guess? of course.

in the most decadent party yet, people discuss gatsby, and that makes him seem legendary.

"who is this gatsby?"
"do you know him?"
"a war hero!"
[holy shiiiiiit, amitabh bhachchan is in this?!  how utterly awesome and appropriate!]

(link)
"mr. gatsby doesn't exist."
"gatsby?  what gatsby?"
(psst!  that last bit was spoken by daisy!)

and of course, gatsby is gatsbying in his crucially decadent reveal of a party.

roger: i need to put together the chips and guac and creamsicles i bought. (link)
ivan: are you pulling a gatsby and watching the party from afar?
roger: i don't know that i need to document the reasons how this isn't like a gatsby.

anyway, he's requesting the presence of carey mulligan, who i suppose is a character here. daisy? probably daisy. definitely daisy, apparently. i'm not sold though.

"i'm certainly glad to see you again." (daisy)
"i'm certainly glad to see you as well." (gatsby)

lee...i'm very fond of you as well. (link)

hey look! amitabh! he has a hat. a dooope hat.  at such a rakish angle!


oooh, baz luhrman directed it. now i understand. both it looking like crap, and y'know, the leo.  who, let's face it, looks pretty sweaty throughout this trailer.

this oughta help! (link)

hey, the music here kind of, it isn't good!

it's montage time, cigars, and clothes tossing and polo, and more cigars and cars, and parties. it's good but... too many trailers are built on big songs (jack white in this case) and bigger voice over segments.

carey mulligan moves her mouth a LOT, which is probably meant to be characterizing.  i'll allow it.

so apparently the movie contains kissing and fast cars and drama.  and ALL of the lights.

(link)

the drama is evidenced by the intensity at the trailer's apex - fast cars! shouting! obscenities! sex! everything on earth!

it's interesting how it appears as though 2012 will be the year that both the spider-man franchise and tobey maguire regain the public's respect. it's humourous that the two events are mutually exclusive, and yet not at all surprising.

also, the choice of releasing it on christmas is well, odd. it makes sense to release it on one of the more consumery days of the year, and yet - do that many people go to movies on christmas?
(ha!  although one or both of us do almost every year, so.)

poc count: approximately 15 i could see, with 1 person speaking one or more lines.  let's face it, that's more than i expected to see.



our verdict?
...pretty much a trailer!

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Posted in 2012, amitabh bachchan, baz luhrman, carey mulligan, leonardo dicaprio, pretty much a trailer, race, the great gatsby, tobey maguire | No comments

Friday, 4 May 2012

movie review: easy a.

Posted on 06:10 by Unknown
easy a.
(link)
canadian release date: 17-september-2010
writers: bert v. royal
director: will gluck
starring: emma stone, patricia clarkson, stanley tucci, aly michalka, amanda bynes

this is the first movie by writer bert v. royal.  not that you care, but -
- it's a fact.
emma stone's appeal seems to be pretty-well universal, and i'd say that's a pretty good reason to check out this movie - with us!  after the jump!
j/d: the movie is easy a. the blog is this one!
r/r: so i don't know why, but i'm a pretty big fan of high school movies and tv shows.  daria, my so-called life, many a john hughes/similarly 80s movie (i think the breakfast club and can't buy me love were two of my favourite movies in grade eight), brick, carrie, mean girls, jawbreaker, superbad, clone high, the faculty, huge (though that was a camp, not a high school), less than kind (though not entirely about high school), 10 things i hate about you, and probably a ton of others.  feel free to suggest more in the comments!
j/d: aaand, we're getting told all about some studios. everybody has to get their cut right? yay, screen gems again! they're part of sony pictures entertainment company. not, sony computer entertainment though, that's the playstation. this is a movie, which.. holy shit, can be played on a playstation! more on this and other breaking news at 11pm!
(link)
j/d: anyway, after being reminded about screen gems and how they present things, we're told about the people responsible for this stuff now! all while some people go 'da dadadada dadadada' and we see the streets of california.
r/r: california is so fucking pretty.  i want to go back there some day.
j/d: and we're in ojai,  with a population of 8202! a sign in a montage shows me before we show up at a highschool and people's names jump on the grass. ha! amanda bynes is in the movie.
(link)
r/r: amanda bynes!  it's so funny how prophetic that robot chicken sketch ended up being.
r/r: it is just...too unbelievable that emma stone is ignored in high school.  she is very pretty, y'all!  and i love her monologue delivery.  but she's also very...confident?  aware?  i don't know.  it doesn't register as "teenage."  she has this very cool sense of not actually needing validation from others, which kind of throws the whole concept of the film into question.
j/d: 'the rumours of my promiscuity have been greatly over-exaggerated.' ha, funny opening monologue from emma stone here. she tells us she's olive penderghast and promises to tell the truth and bemoans her below average breasts. then amanda bynes knocks her down! oooh! and the movie's a webcast! chapter one: 'the shudder inducing and cliched, however totally false account of how i lost my virginity to a guy at community college' this is written on some paper in a fancy matter. wow! what a fascinating concept, webcasts and chapters, and there being two sides to every story
(link)
r/r: below average breast size - you know, i never noticed until she said it!  haha!  but it suits her frame quite well.  anyway, i think the narrative conceit is clever and fun.
r/r: quasi-obligatory "awkward character drops their shit everywhere because they are awkward and/or invisible to others" scene.  drink?
r/r: lots of white people in ojai.  shit, my eyes are way too dry and exhausted to do a poc background count today.  sorry, folks.
j/d: so now olive and her friend are discussing good names to say during climax, and the sandman shows up to teach them about context and saying cliches. lockers outside are weird. sandman floats away. i thiiiink he's a teacher. oh, and his name is mr. griffith, another voice over.
r/r: i think maybe teacher buddy should have just backed off of this conversation.  it feels automatically inappropriate.  oh, also:
(link)
hahahahahahahahhaa
r/r: no no, unprotected sex is what leads to unwanted pregnancy.  fucking american education system!
j/d: okay, the friend has a stupid name i'm too lazy to write. but her parents are nudists? who smoke weed? weed break. any way, the friend and olive walk and talk. olive avoids a camping trip by lying about a boyfriend named george to get out of it all blahblahblah. here we are back to the beginning talking about george.
r/r: haaa...boobsmashface.  that was awkward.  and i think less funny than they intended it to be?  but still cute.  even cuter how rhiannon is like, pretty conventional.  i imagine that's part of her teenaged rebellion, don'tcha know.
(link)
still a little sad that she doesn't want to spend very much time with rhiannon.  they seem to have a kind of unbalanced relationship in that regard.
j/d: olive lied though, and she actually got a card from her grandma that plays that pocket full of sunshine song, and some money. she spends the weekend listening to the card, painting her nails with the dog, sewing pants, dancing. it's all cute and funny. the card even makes it into the shower, and lasts all weekend….and by sunday night i think she downloaded the song? oooh, nope.
r/r: this might be one of the cutest and best sequences in the movie.
hahaha goddamn it
why is emma stone so great?
how come you're so great? (link)
r/r: her bedroom is ridiculous.  those windows?  what?
j/d: oh no! rhi asks about the date with george. she lies. 'feels like i got a love and it's all mine'…oooh, she says it was one of those 'all weekend things' and rhi assumes she did it with george! ha! and she doesn't have the 'lady balls' to tell her about it.
r/r: heehee, she quoted the sunshine song.

r/r: oh my fuuuuuuuuuuuuuuu i hate the term v-card.  so annoying!
is that where you got your v-card punched? (link)
r/r: "you know, you call me bitch a lot.  it's not really a term of endearment."
j/d: so then rhi drags olive into the bathroom, and there's a whole yarn of lies told, and it's pretty funny. she felt superior to rhi, and just kept going on, even mentioning 'you know, like those glade candles? but like sexy?' oooh, and then amanda bynes comes out. she's super christian! they show a scene of her and her friends successfully having the school change the name  of their mascot from the blue devils to the woodchucks. har!  this is illustrated by exciting mascot scenes!
r/r: hahahahahhaah what, the principal is alex delarge?
that does not bode well for a sex-positive message in this movie!
(link)
r/r: the woodchuck has the same biting action as the trash man! 
(link)
r/r: this is really interesting re: power in girl relationships - how knowledge and/or experience functions interpersonally.  it's interesting how much of heterosexuality is performed for the approval of one's own gender, n'est-ce pas?  and a good example of the double-edged nature of how we think of sex for girls and women, wherein sexual knowledge is power, but having sex is forfeiting power.
r/r: amanda bynes' character is a little too familiar.  what i mean to say is, i liked it better when she was mandy moore in saved!
j/d: oh man, chapter 2: ' the accelerated velocity of terminological inexactitude.' ha. lies travel fast.
'did you hear olive's a slut?' that's how a montage of texts going around the school is started, with all these
people hearing about her boning. goddamn cell phones! they'll be the end of us all.
(link)
r/r: her scene cards sound like community episodes.
r/r: i think there were a good five people of colour in that scene!  and possibly amanda bynes' crony?
nina is her name.
r/r: she's supposed to be seventeen?  right, right.  high school.  okay then.
j/d: 'maybe next time a certain somebody will be careful about she says in the water closet.' har. christian lady set you up, olive. maryann, it is. she's mean.
ha! she called religion of other cultures science fiction and refused to go!
r/r: marianne is such a helen lovejoy.
(link)
j/d: flashback! to the only other time that olive had people talking about her sex life!  she's in the bedroom with a guy for seven minutes of heaven. he doesn't want to do anything, but wants olive to tell people they kissed. this is, different.
r/r: hey, we already saw todd earlier.  you can just say "from todd."
r/r: i like that there's representation here that straight boys' sexuality isn't so hard and fast and automatic as we are often told.  sometimes dudes aren't ready, and that's okay too!
j/d: some guy walks up.
"hey olive, how's it going?"
"i'm swell, thanks for asking, guy i've never met."
j/d: hey! it's the family! they're awesome.
r/r: aww, adorable adopted brother!  that's a secondary poc character right there - maybe tertiary.
j/d: olive wants her parents to be prepared to hear some shit. their family dynamic is super cute!
r/r: haha, and he understands how genetics works!  i like stanley tucci, and his general actions in this scene.
j/d: ha! this adoption scene is soooo funny!
aaaanyway, the parents pry, but olive is avoid-y.
r/r: olive, both of those outfits wouldn't...i mean you would dress like a ten-story building, and you would dress like a crack in the sidewalk, but you wouldn't actually be those sizes.  this line isn't working for me.
j/d: yeeah, about this whole emma stone being in high school? i'm going to drink, and try to only mention this thing about her being super hot once.
r/r: whoooooa self-conscious about high school movies!  how..well, sort of expected.  i guess that is a very current way of producing and commenting on media.
j/d: holy shit! they're in class! and gwen stacy is in peril of the sandman who is free-style rapping! wtf? my life!
oh, my life. (link)
r/r: "public humiliation
shameful
ostracized"
yay, being a woman!
j/d: wooow! they're reading the scarlet letter in class!
r/r: indeed - who could have seen that coming?
j/d: huckleberry finn foreshadowing - pretty funny.
r/r: "except for huckleberry finn 'cause i don't know any teenage boys who've ever run away with a big, hulking black guy."
i didn't...read jim as hulking.  maybe that's my bad, but i didn't see him characterized as such.  anyway!
j/d: webcam rundown of the scarlet letter! ha, fuck demi moore.
r/r: i can't think of  the scarlet letter without thinking of blood and guts in high school.  oh man...kathy acker is one of my favourites.
(link)
r/r: slightly heavy-handed "the more things change, the more they stay the same" theme brought up by the teacher.
j/d: whoa, some girl calls olive a skank, who calls her a twat, and then she's waiting to see the principal. maryann is there! they exchange witty quips. aaand, i just find the current and present amanda bynes thing funny.
r/r: it's a snappy comeback, but i'm not so down with ladygenital-themed insults.
j/d: some guy leaves the office all bloodied.
aaand we're in the principal's office with malcom mcdowell. he would frighten me as a principal.
(link)
r/r: 
(link)
j/d: "this is public school. if i can keep the girls of the pole and the boys of the pipe, i get a bonus."
yeah right. educators in america get bonuses?
r/r: but this school seems to get a lot of funding, just based on the grounds and class sizes!  whatever.
j/d: boom! DETENTION!!
r/r: easy a: the story of one girl's ass, and where it didn't go.
j/d: so olive meets todd the mascot guy, and there's cleverness about mascots with masks off. a party is mentioned, but neither of them are going. and then, wow, rhi is there! ha! "the one where you got suspended cause you called nina how a dick and you punched her in the left tit." cuteness, their friendship is.
r/r: i think woodchuck todd is boring.  but he high-fived a black student walking in the background.  so. that's...good?  i got nothing.
r/r: "i worry about the way information circulates at this school."
j/d: "your secret's safe with me, you little sex monkey."
r/r: olive is really...not listened to in this friendship.  i wonder how that theme of not being listened to will play out over the course of the film!
j/d: aaand, dinner again. and olive is discussing her office visit. the dialogue is quick here again. the parents ask what word she got sent to the office for using, she doesn't say, and they settle on her telling them it starts with the letter 't'. aaand, then they ask noun adjective or verb… they resolve that she should spell it in her peas. "i will take that challenge. i like that!"
r/r: why is the little brother sitting at a table by himself?
r/r: haha the parents care more about what the word was than what actually happened.  i love patricia clarkson!  also stanley tucci.  and these two are great together.
j/d: patricia clarkson is coool.
r/r: this reminds me of ann and sam blecher's failed attempt at grounding josh in season two of less than kind, with similar results as the daria episode, "the big house."
my parents are totally uncool and unfair! (link)
j/d: "i got a b+ on my spelling test today" little bro says.
"that's good hon, but everything has spell-check these days," patricia clarkson tells him
"aww" the kid remarks
mom tells him she's just kidding and dad asks "where are you from, originally?"
r/r: aww, hey!  he did well!  first you  make him sit at a separate table, then you dismiss his achievements, then you treat him like a regular douchebag who isn't supposed to be his parent?  that was a weird note i didn't really appreciate, though it was played pretty cute-ly.
j/d: now olive and brandon are mopping up the gym! notice her gradual wardrobe evolution. stupid budget cuts.
budget cuts making them clean the gym, not affecting her wardrobe.
r/r: budget cuts i see.
j/d: they're talking, and his life sucks. they have cute discussions about each others' lives, and rumours.
r/r: "very whore couture." um, what?  shes wearing skinny jeans, wedge sandals, a white tank top and a black vest.  are you fucking kidding me?  oh, and a necklace.  and a bracelet.  WHORE ALERT!
j/d: wow! olive admits to sorta starting her rumour. he notes she's perpetuating it, and the conflict is here!
then she tells him to straight-act! it's pretty funny, but kinda rough. apparently every body has an act, and they use that to blend in and have friends… i believe we're all confirming brandon is gay.
r/r: for real.  sometimes people with x, y, and/or z privilege don't understand the necessity of blending/passing for survival, at least temporarily.
j/d: now rhi and olive are discussing love and lust and george while sitting on hoods in the hills.
they discuss the various floating rumours about her.  aand her phone rings! the ringtone is the song from the card. she really does have a pocket full of sunshine now.
r/r: haha!  in fact one might say she has a pocket full of pocket full of sunshine..
(link)
r/r: "yes, yes, i believe so, if i was a sweet valley of the travelleing pants, but i'm not."
r/r: rhiannon, how could it not be your descriptor?  those truly are some big tits.
r/r: "probably wants to borrow an outfit." pro tip: you can say something about that, olive!  that's being a friend, and an ally.
j/d: ha! rhi's identifier is big tits… and well, since it was brought up. yeah, they are.
aand then it's casual homophobia before chapter 3: "a lady's choice and a gentlemen's agreement."
j/d: brandon mopeds up to olive's  house. knocks on the door.
r/r: "uh, hi.  is there an olive here?"
"there's a whole jar of them in the fridge."  i like that they both make "dad-jokes!"
j/d: 
(link)
r/r: a gentleman caller!  very glass menagerie..or for whom the southern belle tolls.
j/d: her mom is funny! this thing about asking for hands in marriage is hilarious. the way they handle this is weird.
r/r: a boy?  a boy.  a boy?  a boy.  a boy.
haha...white parents.  they went up there and shut the door, even!  what the fuck!
j/d: sooo, we're in olive's room and brando proposes the situation of them 'dating'
ha! kinsey 6 gay.
r/r: ah, kinsey numbers.  sometimes helpful!
'i've got that v where you'd rather see a p.'
r/r: "you want to maintain this floozy facade, i don't want to get pushed into shit everyday, it's a win/win/win!"
"how doyou know i like being thought of as a floozy?"
"because at least you're being thought of."
i must admit have more than a bit of hate on for the word floozy.  so often people use it as a cutesy copout from saying slut, which gets them out of owning up to the fact that they really do believe in the concept that having sex causes women to depreciate in value.  but, you know, whatever.
(link)
r/r: "you are on crack!  and not the good kind!"
wtf is the good kind of crack?
r/r: shit, poor brandon.  that's closer to the reality.
j/d: soo, they debate a bit, but then agree to perpetuate her slut rumour and mitigate his gay gossip.
aww, i feel bad for brandon. i mean for being tormented. beyond that, it's noteworthy that he's well up on his sex slang - this is humourous.
r/r: ha?  what consequences will he have to deal with, compared to you?  silly olive.
j/d: so they're going to that aforementioned party to fake all this shit up.
j/d: party tiiiimes! lots of drinks.
j/d: "i borrowed a dress from my mom, brandon borrowed a jacket from me"
r/r: it kind of seems like olive is doing an unintentionally terrible job of trying to get melody to come to the room with them.  but i love her impression of a "normal girl" who is soo druuunk omg.  how many times can she say cocktail(s)?
r/r: and melody offers her room? but with disgust?  but...it's her own room that she's agreeing for them to use.  i don't get it.
j/d: so, they pretend to be drunk (pre cocktail party cocktails!) and olive asks melody if there's a room they can use.
something about brandon and funny things. her mom's dress is great
melody offers her own room, which i find odd. this is followed by an awkward walk down a hall,
and we arrive in melody's bedroom.
r/r: olive's mom has some sexy dresses!  "jesus, what is with you gays?"  lolz, we're all just girlz here right?  we can talk like this, and i can call you f@- what'd i say?
haha
j/d: from here the acting of faking their respective heterosexuality and flooziness is planned, and perpetrated. classmates line up outside the door to listen, as sexuality as this age is very much a community-based entity? i guess? that said, they block up all the windows and doors, going so far as to put some panties over the keyhole any way, it's pretty funny shit, as they start off grunting and it leads to them jumping on the bed and pounding on the wall emulating sex noises.
r/r: why does brandon have no idea what he's doing?  it's very comedic and weird.  haha "a little better."  the performance of compulsory heterosexuality, everybody!  let's give it a hand!  actually, wait, let's not.
j/d: apparently melody likes p!nk
r/r: "now you try, you try."
"i'm gonna turn you around and take you from the back!"
"yeah, that's not gonna make pepole think you're straight."
"nevermind that gayness, 'cause i'm a straight guy!  roar!"
what?  straight people have sex from behind all the time, if porno is any indication.  however, that was hilarious.
r/r: what the fuck?  "it doesn't really smell that bad!"  hahaha so awkward and ridiculous.  do guys really have that little idea about girls' bodies?  actually i guess that's not too surprising for high school.
j/d: ha! the grand finale is a punch in the stomach and her yelling. it's funny.
they break off from here, and he's quite appreciative of her favour. she goes so far as to let him keep the panties. he jumps out the door and the crowd parts.
r/r: aww, so pretty in pink!  or is it sixteen candles?  i guess i'll look it up
it was sixteen candles. (link)
r/r: "how was she?"
"guess i'll be walking funny tomorrow..."
but brandon saves the day by exclaiming "i'm drunk! what's up, bitches?!"
and he is roundly celebrated, as olive parts the crowd like some kind of mose-pariah, and runs into boring todd.  it's awkward, i guess?  but cute.  i don't really know.
j/d: nobody talks to olive as she leaves. oooh, except woodchuck todd. he had a quick rehearsal for that wedding. their exchange is cute, and people mock her in the background.
j/d: baaaack to the webcam! she's upset about the lack of fanfare over fakely losing her virginity.
r/r: ha, judy blume reference.  girls get it!  maybe some boys?
j/d: now she pretends to play guitar. it's terrible. but brando left a gift with her mom!
j/d: the mom knows he's gay!  how?
r/r: "he seems like a nice kid!  he seemed a little incredibly gay."
okay, hold up.
this is my first real "what the fuck?" moment of this movie.
how does patricia clarkson's character know brandon is gay?  and what makes it acceptable for them to use "incredibly gay" as a casual descriptor?  the tone is lightly teasing, but the power dynamic makes me uncomfortable, as i feel like the writer is basically throwing around straight privilege for no real narrative reason.  i mean, incredibly gay?  really?  fuck that.
j/d: ha, the parents were hoping she'd get knocked up so they'd have a second chance at raising kids!
har, additionally, the mom dated a homosexual for a long time!
r/r: "girlfriend" is maybe a totally inappropriate way to talk to your kid!  but hey, white parents.  what do i know!
j/d: gift reveal from brandon! a vibrator and a target giftcard. whoooa.
r/r: haha, ringtone again!
j/d: rhi calls? omg brandon wtf?! she's mad.
r/r: "throwing your cat at everybody!" that makes it sound so violent and...kind of awesome?

(link)
j/d: lol, throwing your cat at everybody!
r/r: oh, so rhi is upset because she feels betrayed..like olive is leaving her behind and/or forgetting about her. it's been obvious over the course of the film so far that she cares more about olive than she does bout her. i'm thinking it's quite a rosalind/celia dynamic (as in shakespeare's as you like it).
j/d: this conversation with rhi is rough, why's she so self absorbed? whoa! it's revealed that olive's identifier
is dirty skank! so she's going to be a dirty skank! she bought 'fine lingerie'!
r/r: who is doing this joan jett cover?
hahaha angry sewing montage!
j/d: now there's a montage of her cutting shit up and sewing? i usually just buy clothes that fit.
r/r: that isn't...necessarily how sex sounds?  but fair enough.  this is.  what?
j/d: oops, the dad breaks in and has some more commentary about homsexuality, and i'm a little
confused, but whatever. at least he's being cool. he asks if she's okay, and she says she is, and well, that's a scene.
r/r: haha, i kind of love her totally inappropriate parents, and their sometimes very positive morals embedded in rambling.
"hey, no judgement!  all god's children, it's fine.  i was gay once, for a while, no big deal, we all do it, it's okay!"
oh, do american parents call their kids "buddy" too?  i thought that was a canadian thing for some reason.
love you, buddy (link)
j/d: ooh, look! it's the morning, and there's a cliche hallway (all though it's cali so we're outside) walk by the newly-turned sexy girl in her revealing outfit. aaaand it's olive! wow. her name is an anagram for i love. rhi's pissed at her though.
i'm not sure why…
r/r: 
(link)
r/r: high school is very easily shocked, eh?  bustiers are excellent tops.  admittedly something i love to wear! and i started doing it in high school, though i had to sneak them out of the house and change once i got there.  but, you know.  
r/r: it makes me sad when the friends fight!  i know that's silly, it's all just plot.  but still.
j/d: meanwhile in the cafeteria, girls hate, boys lust, and sandman questions! he tells her not to forget tomorrow is earth day.
r/r: it's...not really your business, sandman?  i'm not clear on how he's able to intervene in this type of situation.
j/d: oh man, now christ club is talking about her. uh oh! they need to help her, and they need her out of here. there's some whining about jesus and promises, and well, i won't lie… i was synching my iTunes and iPhone… cause, yeah.  who cares.
so what?  who cares? (link)
r/r: haha, kurt is proud of his voyeurism.  he won't last long in the fold.  blah blah, hyper xtian morality is boring
"jesus tells us to love everyone, i mean, even the whores an the homosexuals, but, it's just so hard!  it's just so hard because they keep doing it over and over again!"
hah, fair enough - god's love is entirely conditional on abiding by his rules!  rah rah rah!
rah rah rah!  let's do the lawndale shuffle! (link)
j/d: oooh, but now a singalong!
r/r: you know, even toddchuck making jokes with her doesn't make me remember what his face looks like.  sorry, dude!
j/d: ha! she doesn't know why they're upset. she put an 'a' on her shirt. oooh, fuck. swim class. todd's here, and they're ready for witty banter about bedrooms, cinderella, and a bunch of other dope stuff. her pants are short. 
r/r: am i an asshole that i thought of fat neil when i saw this guy?  if so, i apologise.

(link)
j/d: oooh, there's a big dude here now, cause todd's gone. brandon told this dude, who is evan, what's actually up. and he wants the same deal that brandon got. but he can pay. but, he doesn't even need her permission.
r/r: i hate this scene.  it's so true.
it's so true!
"i don't need your permission, you know!"
he is absolutely threatening her.  and then he turns around and makes her feel guilty, as though his repugnant qualities and well-being are her responsibility.  yet again, olive is put into a position of forced responsibility for another person's well-being - a situation many young girls and women are faced with on a regular basis, and a regular side effect of the notion that women are somehow "the nurturing sex."
r/r: also, does this remind anyone of jordan catelano approaching angela in the stairwell about the rumour that they had sex?
(link)
j/d: any way, she's offended, but when he walks away talking about how he's a fat piece of shit out loud, she agrees to do it.  she wants a 100$ gift card. gap, amazon or office max. no sex. but chest fondling. glorious. better than cake! boom!
r/r: "including cake."  wow, that was kind of mean.
j/d: he wants a better deal, but takes it any way. she calls him a shitdick, then he fuck soff.
r/r: "can't we throw in some butt action or some pants rubbing?"
hahaha, troy barnes and "butt stuff!"
j/d: apparently a rumour about her soliciting sex for money pops up somehow now. the more you know!
j/d: so now there's a rundown/montage of all the transactions she manages to put together over the next while it's a bit rough, but cute.
r/r: oh, sanjay chandresakar!  i'm sad that brown men are so often cast as the worst in love.
"i knew he wasn't latino, but somehow all this shady backdoor deals had me talking like carlito.
'beat it esse.'"
(link)
j/d: now there's some weeeeird race stuff in an orange field, and then she's back to the webcam talking about chivalry and 80s movies.
a liiiitle silly, but hey, whatever. she wants life to be like an 80s movie with an awesome musical number.
r/r: jon hughes, jon cusack, patrick dempsey, blah blah blah!  i want moooovies!"  though we all do at some points, i imagine.
but so often they don't bear up under analysis!
but what can i say...i mean, to quote courtney love (right?), what i want in a partner is "tenderness and violence sort of simultaneously   little bit of bastardness combined with kindness.  um, i like dickheads that are really nice, basically.  
j/d: chapter 4: "how i, olive penderghast went from assumed trollop to an actual to an actual home wrecker."
well now. i play a lot of minecraft, and i've been down in the nether enough to know that all ghasts are homewreckers.
(link)
r/r: wait, why the fuck do you have your high school students on facebook?
you know roman's updates because you friend him, right?  jesus!
okay, i admit i don't...exactly know how facebook works.  you can't make me!
r/r: guys.  GUYS!
reading is cool.
r/r: "stay golden!"
haha, ponyboy!  i didn't mean to, ponyboy!"
ponyboy!  i didn't mean to -- ponyboy! (link)
j/d: olive is meeting teacher sandman in his classroom. he wants to know what's going on. he feels she's taking the reading assignment too seriously. she wants an a. he's hearing rumours. she's considering becoming an existentialist. he says she knows what he's talking about. she says she didn't know teachers were privvy to these rumours. teacher says kids say too much shit on facebook…why is teacher facebook stalking students? is this a plan for another heist? is sandman on to some sort of school kidnapping scheme? will paul giamatti be there? will things go a little...sideways?
teach apologizes for sending olive to the office and says he hates nina. and, phoebe (from friends) is here. cause, ummm, what the fuck? apparently she's a guidance counselor who thinks olive dresses like a prostitute and who seems to be fucking the sandman! development! spidey is missing ALL this shit!
r/r: what a perfect time to introduce an important secondary character - fifty minutes into the film!  and she's a guidance counselor who is married to the sandman!  (also she's phoebe)
aaaand she gives credence to the idea that olive; by virtue of being dressed in a self-embroidered boustier, skinny jeans, high heels and a necklace, is representing herself as "a prostitute."  i do not understand these standards AT ALL.  have these people ever seen how sex workers dress?  sometimes their jeans are not even skinny OMG!
j/d: so the teacher convinces the guidance councillor to talk to olive… and then that scene happens! i understand! apparently there's concern from the faculty. olive is a little annoyed, and not in trouble. so, phoebe tries to give her some condoms,and she takes them. this is some pretty good guidance, really. and i won't complain, i guess. it's just a bit dismissive.
r/r: heehee, it's so fun when we use "bitch" to denigrate each other!  especially when we have ideological reasons to divide us, such as snottiness, and jesus freakery!  that said, i definitely approve of providing contraceptives to young people!
r/r: "making spaghetti!"
"that's great!"
"with meat!"
"enjoy eating your meat!"
"with balls!"
"enjoy eating your balls!"
r/r: sharp pencil standoff!  it is...about as exciting as it sounds.  except with emma stone!  so. actually kind of awesome.
j/d: i guess marie-ann's boyfriend is 22 and still in high school and going to guidance? a fourth year senior? oooh, it's HIS choice. capital H.
i prefer the capital G.

r/r: haha!  hemline!  i am pretty vehemently opposed to certain types of dress codes, for reasons that would take up far too much time or space to expand upon within a movie review.
r/r: how does shaming a student about her reputation fall under the scope of helping her?  i'm being serious here, and not inviting responses from people trying to justify that garbage.  and giving out condoms should not be such a shameful act!  in 2003/2004, i was shocked to learn that nanaimo college in british columbia did not offer condoms in any of their residence buildings/dormitories.
j/d: so anyway, dude's parents are divorcing and he's having a rough time dealing with it.
"no, you insensitive rhymes with witch." teehee. pg-13 here we come!
r/r: if she can use that logic to justify unfortunate things that happen to people who are close to her, why can't she use it to justify the existence of people who differ from her?  would that stop her from being a true xtian soldier?
no, you insensitive rhymes with witch, his parents are going through a divorce!"
j/d: umm, now olive and marie-ann are bonding, i guess? confusion is here, and well! anyway, i guess they're friends now. thats pretty fucked up. there's hair smelling and hugs everywhere and montages of spinning and texting and whispers and song.
r/r: i just..i should re-cap this?  emma stone is funny.  but i don't care about this scene, and amanda bynes' character.
r/r: haha, yet another breakfast club moment: why are you being so nice to me?
(link) (and i have to say...i always preferred her before the "transformation")
r/r: for a day?  hahaha!
and grease music!
r/r: haha, their private jokes are so innovative!  "this dude is gross!  LOL!"
fucking poetry.
j/d: danger in shop class, fingers almost lost, and micah is in hospital!  HE HAS CHLAMYDIA!
his mom beats the fuck out of him to find out who, and he claims it's olive. the mom rumour mill lights up and marie-ann catches word. and goes to beat up olive. rhi is happy.
r/r: aaaand micah has chlamydia.
he blames olive, which is obviously untrue.
r/r: hahahahah aww, micah is so...stupid.  and he's banging mrs. sandman!
mrs. sandman, bring me a swab [test]!
j/d: we 'find out' on the phone that micah didn't get it from olive, he's talking to someone on the cell. boom!
secrets! he loves whoever gave it to him, and whoa! it's the guidance lady! her life is successfully fucked now.
r/r: "goddamn shit goddamn shit" haha
eew.
"goddamn shit."
j/d: olive's there in her office, looking for marie-ann, and phoebe lady freaks at her and apparently she was god damn shit messed up shit god damn shit god damn shit was fucking micah. 'cause her marriage was rough and shit. sooo, micah lied to keep her out of trouble, and whatever. but g-lady's going to rat herself out…
r/r: there is no way for olive to not know what's going on.  but i guess she knows that now.  oh, how sad.  and what will happen, based on the precedent set by everything prior?
why, olive takes responsibility for other people's mistakes/well-being/misery/existence.  so sad.  so unethical for someone who is more or less a teacher to put her in this position, and accept her decision to take the blame.
j/d: that said, olive is such a kind heart, she takes the blame on.
"i could have chlamydia"
r/r: "maybe it was becoming a habit of mine to help the downtrodden, or maybe i just couldnt stand to see my favourite teacher's marriage crumble.  either way, i decided to help."
is that how she sees it, or a justification?  i hope it's the latter.  oh, olive...i'm sorry that this happened.
"no you haven't.  no you haven't, 'cause a real whore can't admit it to herself, much less to others.  trust me, i know."
WOW.  what a sad, sad statement about women who fuck.  are you kidding me?  that's terrible!  i mean, i get that this woman is wracked with guilt and self-pity, but i still think it's a horrible attitude to take about sex, and to impart on young people.
j/d: now there's awkward conversations about "whores"
j/d: holy shit! olive leaves, and people are literally picketing her existence. i mean, what in the fuck? who pickets a person? in my school days you couldn't get people to picket companies, or governments, let alone some girl who apparently was a bit easy.
r/r: haha, olive probably would have better signs.  but they would definitely be lacking in commas!
(link)
r/r: can i just say that from introduction to injection of amped-up conflict, phoebe's character has been in the movie for about eleven minutes?  that doesn't speak well to the pacing.
r/r: ah yes, capitalism and/or/vs. religion.  "you're a slut."
abstinence tastes better! (link)
r/r: "fuck off, quiznos!"
the physical embodiment of a sandwich shop will always make me laugh now. #sixseasonsandamovie
(link)
j/d: ha! rhi is picketing olive to make the school a better place and quizno's thinks she's a slut. this is pretty god damn dumb. todd runs into her and asks if she's okay. he says "screw all these people, olive" she gets sad. "haven't you heard? i already have."
r/r: "screw all these people.  olive."  haha, boring todd.  he's nice, and inoffensive, and so, so unmemorable.
j/d: weird. discussion about extremists.
ha! bible is in best sellers next to twilight!!
r/r: the bible is stocked in bestsellers next to twilight?  that's a pretty multi-directional burn!
j/d: so, she's seeking religion and someone to talk to. she goes to a confession booth, but there's nobody there.
so she confesses being a harlot to nobody. or atleast, pretending to be a harlot. whoooa. deep.
r/r: "i've been pretending to be...what is th catholic way of phrasing this, a harlot?  a harlot.  it's not that i've ben doing the things that people say that i've been doing, but then again, i'm not denying them either, so i was just wondering, is that wrong?"
(link)
"its just that a lot of people have been asking me to do things, and i thought it was okay because it wasn't real, you know, it was make believe.  no one was getting hurt.  but, a lot of people hate me now.  i kind of hate me too."
how sad.  how realistic.  any glimpse of sexuality beyond simply appearing sexy without seeming sexually available is so intensely punishable in our society.
also, interesting use of the word "make-believe" to highlight how young she is supposed to be. 

(link)
j/d: eventually she realizes she wasn't talking to anyone and bounces, off to some other religious place. this one has people in though, as is easily evidenced early on, by the people, that are there.
j/d: "a minister? a reverend? a wizard?"
"it's a pastor."
r/r: fred armisen!  there was a point when i thought you were cool!  i...don't remember why though.
r/r: "right below our feet; right above the orient.  it's there."  is having an asian actor say this supposed to play up the racism for us to laugh at, or to simply play off a racist term without scrutiny?
j/d: and this pastor, who is fred armisen is the father of amanda bynes who is marie-ann who says hell is right below their feet and right above the orient. course, right after that olive sees the picture that illustrates the above-mentioned lineage of marie-ann.
r/r: why does amanda bynes look pasted in to that family photo?
j/d: she boots it, and almost falls down the stairs for her trouble. running in those heels must be rough!
r/r: "two frames?  really?"  i like throwaway jokes.
j/d: the music in this movie is like, baddd. pretty damn badddd. i think we're getting a fade-in of a 'good life' song i associate with fitness commercials in our areas.
(link)
r/r: whoa, was hester lynched?  news to me!  haha, but no.  no she was not.  perhaps a poor choice of words, olive writer(s)?
j/d: whoa, there's some crazy ass collusion with the family member of the week/ dvd choices in this family.
"are you accusing me of nepotism?"
so, they decide to watch the bucket list. but before doing so, we have a short discussion about how people might hear about olive and std's and stripper clothes. but nobody should worry.
r/r: poor kid just gets no breaks!  he doesn't even get to pick the movie ever.
r/r: i do like the family dynamic, especially the couple dynamic between the parents.
r/r: what is with these parents and their lack of concern over their daughter's life?  and also having no issue discussing all of this in front of her younger brother.  its nice when they have a small moment of sincerity, though.
r/r: still can't stop thinking of blood and guts in high school.  i'd looove to see it somehow mashed up with easy a!
j/d: aww, a webcam voiceover reveals that olive was getting talked about by many guys, but talked to by none. but then, some dude asks her out on a convoluted hot air balloon date that becomes dinner at the lobster shack.
r/r: yay, sylvia plath!  and suicide jokes that fall a bit flat!
high school romance.
j/d: later that night at not-the-red-lobster, this guy here is a guy, who's having dinner with a girl. they wear not-red-lobster-shack bibs.
r/r: "nah, just a guy, having dinner with a girl."  it seems a lot of guys who think this way might also view sex as transactional.
r/r: i love her awkwardness and face!  she's just so lovely and fun to watch.
j/d: nooow, we have a one-sided conversation about foody aphrodisiacs. it makes olive sound nerdy and nervous. good combo!
j/d: the meal arrives! tables away simultaneously we see that woodchuck todd works here, and he's taking a happy birthday meal to a mystery table! and it's rhirhi's table! she loves this guy who olive's on a date with (who fucking knows?). the date quickly becomes stupid and shitty and olive's all over trying to leave. she just remembered that she's so allergic to shellfish.
r/r: oh no!  things are going to get so much worse between rhi and olive now.
j/d: she pays with a gift certificate and bails, but rhi sees anyway.
j/d: ooooh, and now $200 gift cards to the home depot are offered for actual sexual favours, 'cause this guy's a creep who doesn't understand the parameters of what constitutes sexual harassment and assault (and overall jerkdom)
j/d: "come on this is bullshit," he yells as olive walks away. "goddamnit!"
yeah, that guy. he's uhhh. he's a something.
r/r: he reminds me of this guy!
(link)

j/d: suddenly a wild woodchuck todd appears (having just ended his shift?) he's gonna drive olive home.
r/r: "like a twig or a branch or a contact or something"
"i didn't know you wore contacts."
"i don't, which is why i'm tearing up, so."
j/d: exposition! olive starts breaking down life and history etcetera, and umm, then they get introretrospective.
r/r: i love that she just full-on sobs in front of him so unself-consciously.  it's something people worry about, the ugly cry (see bridesmaids), and it's a nice moment that bolsters the somewhat non-existent chemistry between olive and todd.
r/r: but todd, you're a mascot!  isn't that kind of an emblem of notoriety?
j/d: whoa! then it turns out that rhirhi was todd's first kiss. and she never told olive! more witty dialogue and feel and felt and then olive's dropped off in front of her house. boom! todd is smooth, hitting on the girl that he just rescued from some other guy. yeeeah, that'll make her all warm and comfy.
it's kinda cute though. he wants to kiss her, and she's against the concept, but just cause of her makeup and the situation with the horndog earlier.
she needs to get her business in order before she drags him into it.
r/r: i really do like that he asks her if he can kiss her too.  it's so sweet, and one of the only times olive's sexual agency and autonomy is respected.
r/r: this is late, but her date outfit is very cute.
r/r: olive, he already told you this wasn't a brand-new feeling!  over-analysis can be so deadly.
j/d: they hug anyway, and fist bump?  then we're back to the webcam!
the lies have to stop! it's over.
j/d: she's decided that brandon is going to help her. but apparently he left his parents a note that said "i'm gay, bitches" and we get the punch line to the earlier huckleberry finn set up ("skipped town with some big, hulking black guy!"
r/r: so now we know where olive got the word "hulking!"
"i've got to go.  i'm telling everyone!" (link)
r/r: why do i imagine micah's grandparents also haven't allowed him to get treatment for his chlamydia?
r/r: lisa kudrow gets like a pissed off owl
j/d: evan has gotten laid because he told girls he got to second with olive? hmm. micah got sent off, so he can't help her. neither can guidance councillor. she doesn't want to help at all. phoebe big time heel turns and freaks the fuck out. she's proud of herself, and it's dumb. but, as a response, olive runs to the sandman and rats out phoebe, and it's all super sad… because she broke more people's lives. but hey, whatever. poor mr. griffiths.
r/r: olive, what the fuck.  what the FUCK.  why are you - how can you possibly be taking responsibility for ending that marriage?  not everything is your fault!  you are not responsible for other people!
r/r: it's nice that she and her mom are having a heart-to-heart - i suppose it's been difficult for me to see because of the pacing, but there has been a progression of concern in the parents' interactions with olive.  it's actually really sweet, and i wish we got more time with them.
j/d: hey look! olive came clean to her mom up in the hills. her mom had a similar situation. she says she was a slut too. she slept with a bunch of people, mostly guys.
she was a contortionist. it's awkward and funny and weird.
r/r: "mostly guys"
hahaha awesome
r/r: i'm sorry, i got around!  before i met your dad i had incredibly low self-worth"
UGH
so there is officially no positive representation of women's sexuality in this movie, correct?  no one girl or woman has sex because they want to, and/or are not depreciated by having sex in a way that is not sanctioned (ie within the bonds of mawwage and/or twu wuv) 
(link)
i find it very difficult to see this movie as sex-positive, which is definitely how it was touted to me...and i highly doubt we would receive such a sympathetic rendering of olive if she actually did have sex.
j/d: oooh, olive decided to tell her part of the story!! that's why there's a webcast.
j/d: chapter four: "not with a fizzle, but with a bang."
(disclaimer: i am fully aware she calls them parts, but hey. this is our review.)
r/r: hooray for pointless musical numbers that would take a lot of time to co-ordinate, and be broken up instantaneously by the administration, probably!  and she's actually singing!  though not live, of course.  it's cute either way.  and her outfit is obviously quite sexy.
j/d: woo! woodchucks! we're a peppy rally dealy? todd convinced them to play a sexy song! she has an outfit left! whoa! aaand she still wants that musical number, a la ferris beuller.r/r: how come people are smiling and getting into it?  now she gets a standing ovation.  i thought everyone hated her?  oh, high school!
j/d: so olive breaks out in the middle of the pep rally from the woodchuck's wood barrel (the fuck?) and she sings a saucy tune (cause that's what songs being sung live in auditoriums by dancing girls sound like) and dances about all sexy style, somehow ripping the woodchuck from todd to reveal a blue devil! there's more dancing and ass slapping, and then olive tells everyone that this was a free preview, and to go to freeolive.com… she implies she's going to bone todd on webcam there. suddenly, the principal is here to stop everything (cause it just now occurred to him) he tries to take her away, but she says some stuff about mrs.griffith and runs off. authority!
r/r: how did she get away from that?  oh well, who cares.
this is pretty cheesy, but cute i guess.
j/d: webcast! it's the webcast! people are watching, and she's setting the record straight! but wait! todd's there… on a lawn mower! with some simple minds playing.
r/r: kiddo was watching the podcast too, eh?  jeez louise.  the parents, i get - i feel it's likely she discussed her intentions with them beforehand, in a scene of which we were cruelly deprived!r/r: do you think they asked the kid who plays sanjay to amp up the accent?  'cause i do!
oh, kendra...you got jobbed so hard.  (link)
j/d: hey look! some racism about a non-white person, it really is an 80s movie!
(link)
r/r: and again, that guy is hardly someone i'd consider "hulking."
j/d: a montage shows us here at the end that everyone is dealing with change, finding out truths, watching huck finn or kissing todd and riding lawn mowers. it's all very… well, it's the montage at the end of a movie, y'know? 
r/r: haha, that kiss was pretty awkward - then they swing their arms around weirdly, because love is new!
j/d: they ride off fist pumping into the sunset on the mower before some terrible-ass cover of "don't you forget about me" is very poorly spliced in. i am not impressed.
r/r: oh god!  auido vomit!  my ears are sad now.
j/d: one could almost use that last sentence (:i am not impressed) to concisely sum up my opinion of this movie. i mean, it's a decent rehashing of quasi-traditional high school concepts for a slightly younger generation… but i mean, seriously; they did very little to foreshadow the manner in which the sandman begins his descent into crime and inevitable genesis as a super-villian. sure there's tons of character development on gwen stacy, but they take way too many liberties with the origins… why the name change? is a brush with green goblin going to send her to new york via witness protection? and seriously, where the hell was peter? how do you do a spider-man prequel without including even mention of peter parker? ludicrous. sam raimi must be vomiting in an urn somewhere.
r/r: so this was a fun movie, i suppose - a lot of its re-watch value comes solely from emma stone, with all her amazing charm and vivacity!  but the family scenes are equally adorable, though at times a bit uncomfortable.  but ultimately i felt it stayed on the side of caution with respect to addressing the real issues young girls and women face regarding their sexuality.  the way olive is continually talked around, talked over, talked out of saying no, etc. - these are all parts of a very gendered reality, which then makes authentic dialogue and understanding around what one wants or does not want sexually very difficult to achieve.  all told, i think recognizing that fact, and shaping the film more as though it reflected the interior of her experience might have strengthened it considerably (though i do recognize that with the form of a publicly viewable webcast, olive could well be editing out those vulnerabilities and presenting a public face on her story, in which case...well, no, i still think you could do it.  it's a more important part of the story than i think the film-makers are giving it credit for).  but definitely cute!  a definitely cute movie that has some problems.  so yeah...


our verdict?
...pretty much a movie!



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Posted in 2010, comedy, emma stone, gender, heterosexism, high school, lgbt, race, racism, sex, sexism, trans-racial adoption, women characters | No comments
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