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Showing posts with label ablism. Show all posts
Showing posts with label ablism. Show all posts

Sunday, 17 February 2013

The Walking Dead Season 3 LiveBlog! Episode 10: Home!

Posted on 17:25 by Unknown
You're back!
You survived, good for you. You're doing a lot better than some of the chumps on this show.

Welcome back for another fanciful week of Walker-Geddon in the hills (plains) of Georgia, with the fine folk of The Walking Dead. Last week's episode "The Suicide King" offered up a lot of changes, and hopefully we'll see how these changes affect our characters in this week's episode, called "Home"

yeah, anytime i can put NIN in a post, i will. they have a song with the same name of an ep? boooooom

So, will the fine folks of Woodbury retaliate on Rick's Posse?
Will Ghost Lori be able to prevent Rick from killing teenage girls with machine guns? (man, he did that.)
How will the Whistlin' Dixons deal with brotherhood again so suddenly after all this time apart? And with their separate allegiances?

too much? not enough? let us know!

take off your shoes and coat and come on inside. we've got some drinks and snacks, and a whole bunch of walking dead ahead, so c'mon in.


8:30 - you're early, so you might have to amuse yourselves. hopefully you have more luck with that than carl.

is he trying to play risk?


8:45 - as per usual, you need refreshments during the walking dead. As such, we're having some tasty home-made bacon infused mac and cheese. During the episode? Our preferred beer will be James Ready 5.5 and our tea of choice will be Genmaicha from David's Tea.

9:00 - alright, here we go! another week, another gory, gross episode?
remember all that stuff that happened last week? well, they're trying to remind you. with clips of it.
rick was crazy, no?

9:00 - then we open up at the prison, ravens chirping in the background.

Rick is carrying around skids and scouting with binoculaurs.
Nothing but walkers and Michonne out there.
Michonne is living on the opposite side of the fence maybe?

Man, screw that. Oh, no, she's just outisde.

9:01 - whelp, then Rick sees Lori, all backless dressed up out in the fields.
He grabs a gun to go get her, lush ghost pads playing in the background.

9:02 - Lori might be standing at her own grave in her fairly sexy wedding dress.
Rick gets close to her, and obviously she's not there, so the camera gets all spinny, to imply his wackiness.

9:03 - oh, good - now Lori's out on the other side of the fence.
Naturally, Rick runs past Michonne, opens both gates (leaving them open) and chases ghost Lori.
Luckily Michonne is there to close his gates.

What, was this dude raised in a barn?

oh, right.


9:04 - At a creek, Rick meets up with Ghost Lori.
She touches his face, sorta, and he tries not to look at her boobs, it seems?
More crows and Ravens caw as Michonne looks on, realizing how whacked Rick is.

Michonne's wardrobe is tight.  Seriously coveting parts of it now.
The music there was pretty out of normal Walking Dead scope. Not the typical minor key scariness.  Well, until the familiar fugue comes in.

commercial!

9:07 - back at Woodbury's wall of tires.

ooh, that was an establishing shot.

we're actually with The Gov and Andrea. Well, The Gov has called on Andrea.

"That was umm, that was quite a speech you gave them. Exactly what these people needed to hear."

"What about the Prison," Andrea wants to know.

"While the leave us alone, nothing."

"So no retaliation?"

Why does Andrea buy any of this?  I honestly don't understand her at all.
The Governor says he won't attack the Prison, then goes on about how he's screwed up Woodbury and isn't fit to lead. He says Andrea is.
oh.  so this is why Andrea is still listening?

(link)

"So you're abdicating me?" says Andrea.

Well, that's fitting sorta, with the Pope and all. He's Jackson Lake, he's the Governor, he's the Pope, damn.  Fleeing upon the evidence of horrible corruption, and whatnot.

9:09 - the Gov goes on to beg Andrea to stay, because he and these people need her.
It's pretty sappy, and who seriously trusts this dude.

Hey, is there like, a barber in Woodbury?

9:10 - We're out in the woods with the Whistlin' Dixons.

"patience little brother, sooner or later a squirrel will cross your path."

Daryl tells Merle that's not enough, and suggests looting or fishing.
Merle is paranoid and thinks Daryl is trying to lead him back to the prison.
Daryl kinda is.

"Everyone will get used to each other."

damn, Reedus is a good actor.  His body language and demeanor around Merle are both very impressive.  Also, Merle is super-gross.

9:11 - Merle tells Daryl his friends are probably dead, and that the Governor has offed them all already.
Daryl spits as they go to start some fishing.

Reedus!

9:11 - okay, back at the Prison, Glenn and Carl are mapping out breaches in the Prison, planning security.

"If walkers just waltzed  in, armed men would have no problems."

Becky says they might leave them alone. Who knows?

Michonne finally speaks!

"He had fishtanks full of heads. Humans and walkers..."

Michonne knows he'll come for them. Glenn wants to go for the Governor.

"Rick would never allow this," Hershel tells him.

Glenn says Rick isn't fit to judge.  And I mean...who can argue with that?  Even before Rick started hallucinating on the regular, his track record was pretty dismal.

Hershel advocates leaving, but Glenn points out that Hershel is now down a leg, and the group is now up a baby. Maggie gets upset and takes off, upset with what Glenn's become.

Glenn decides they'll stay and defend.
The group is breaking down sans leadership. It's not good, but Glenn is trying

9:14 - back at Woodbury with Milton and The Gov.
Milton is zoned out at his desk with the Gov comes in. He's using alpha waves to induce a meditative state 'cause he can't sleep. Interesting.

"You've been invaluable," Gov says. "Do you intend to stay?"

"Leaving's never crossed my mind."

"Good, because I count on you. Not just for your expertise, but because I consider you a friend."

Gov goes on to play Milton like a fiddle, about the men he's lost, and what they'd give for him.

He tells Milton he's not sure where Andrea's loyalty lies, asks Milton to keep an eye on her.

Milton obviously agrees as we go to commercialz.

9:20 - on the wall at Woodbury, Andrea wants to know where Martinez is. Karen on the wall gives her sass. She doesn't know anything.

Gee. Did these guys go to the prison?

Andrea calls out to Milton, and there's a terrible random echo.  Aren't they supposed to be outside?

Andrea wants to know where the Gov is.

"He's out on a run," Milton says.

"Is that a question or an answer," Andrea says.

Milton claims that the Gov is out getting supplies.

"...getting supplies!"
dr. quinn came here for this, so.
(link)

Hmm, not suspicious at all.

9:21 - back that the Prison, they're having more difficulty keeping walkers at bay in the Prison, let alone  keeping attackers at bay. The group is scared of the fence giving way, hordes coming, or the Gov.

Glenn wants to check the far side of the prison, take a car with him. Axel offers to go with him, but he wants Maggie. Hershel asks if he thinks she's up for that.  I think that an important person is missing from this conversation.  Who could it be?

9:22 - Glenn's in Maggie's cell, telling her they need to find out how the walkers are getting into the tombs. Then he gets all douchey about Maggie's situation.

"Maggie we need to talk about this."
"I do, or you do?" Maggie asks.

She goes on to explain what happened to her to Glenn...

"Did he," Glenn almost asks.

Maggie can use words, so she goes on. "Rape me? No. No. Do you feel better? I had a choice, either I take of my shirt or he'd take off your hand."

She continues describing her experience; it is well-performed, and triggering enough that I'm going to stop trying to re-cap it.

Glenn apologizes and she shoves him. Telling him to go, "'cause he got [his] answer."

Good stuff.

9:24 - Axel and Carol are out in the yard reinforcing fences.
Axel is scared of guns and is also gross.

apparently he robbed a gas station with a toy gun.

"You said Oscar was the thief, and you were in here for pharmaceuticals."

Carol's smooth, and Axel is a bit of a quick talker, I think. Claims the cops found his brother's gun and not his. Claims he doesn't even know how to use a gun.

Carol starts showing him the basics of his piece.

"It's fully loaded," she says pulling out the magazine. "Let's hope it stays that way."

Axel tells her she's quite the lady, and they share a moment before we're back to the Dixons.  My reaction to this was basically: Carol, no!  Absolutely be flattered by his compliments, as you deserve all that and more - but please don't do anything stupid.  You've only just come back to us!

9:26 - "You know what I think? I may have lost my hand, but you lost your sense of direction."

Things are getting tense with the boys as they venture through the woods.

Daryl hears some noises, and they've come upon some people with a situation.

A group of people is stuck up on a bridge with walkers on them.

"Jump," Merle says, as Daryl goes to help. Merle laments this decision, because these people "ain't cooked me a meal..." or blah blah.

Daryl's running to help as commercials come.

9:30 - back on the bridge some spanish speaking people are fending off a small horde with but one gun. Daryl gets in there crossbowing walkers and stabbing others with the spent bolts, reloading and repeating. It turns out these men are defending a lady and her baby in a car. A walker is getting in there with the lady, but Daryl smashes its skull in the trunk.

9:32 - Merle makes a good shot to give Daryl an assist, who then goes back to clearning the bridge almost single handedly, now with his knife.

With the last walker dispatched, he gives the man an eye and goes to check on the woman.

Merle however is there, gun in hand threatening everyone.

There's a bit of a language barrier, to which Merle reacts with his particular blend of violent, racist glee and opportunism.

"Let 'em go," Daryl tells Merle.

"The least the can do is give us an enchilada or something," Merle tells him, and goes on to try to raid the peoples' shit.

9:33 - Daryl draws his bow on Merle - tells him to get out of the car.
Daryl tells the people to get in their car and go, and they do, running over heads and parts the whole way.

9:34 - the brothers angrily cross the bridge, Daryl retrieving more bolts.  We sure hope he attempts to clean them before shooting any potential food.

9:34 - Merle is pissed about Daryl helping people, asking if Rick taught him to help. Daryl says he helped because there was a baby. They start fighting about allegiances and what happened in Atlanta

"I didn't cut your hand off, you did. You were well on the way on to it before they locked you up there."

There's a bunch more arguing before "a bomb" is dropped that the brothers were planning on robbing the original camp outside Atlanta?

Merle attacks Daryl, ripping his shirt off to reveal a bunch of scars. There's some slightly veiled discussion about childhood abuse, and how Merle got out before it started with him.

"If I knew that I would have killed him," he tells Daryl.

Daryl decides he's going back, but Merle tries to stop him.

"I can't go with you. I tried to kill that black bitch. I almost killed the chinese kid."

"He's Korean," Daryl responds.

"Whatever," Merle says.

Actually a pretty great call-back to season one.

(link)

Daryl tells him that he's not leaving, Merle is, and takes off.

commercial-time.

9:41 - outside the Prison, Hershel is chasing after Glenn.

"You're not going back to Woodbury, are you?" He asks Glenn.

Glenn claims he's not. Hershel says he can't head out on his own.

"You went out on a formula run, and got the crap kicked out of you, and you had Maggie with you."

Hershel tells Glenn that he can't go on with this rage, that it'll kill him.

Glenn says that with Rick in "crazy-town" he's the next on charge.

9:42 - Glenn drives off and Carl closes the gate after him.

9:43 - Hershel looks to Rick wandering around outside the fence I think?

9:43 - Becky and Maggie have a scene taking care of little Asskicker.
The music is decidedly soft again. Becky is worried about Maggie and doesn't know how to show it.
They have a nice sisterly moment ultimately though.

The Greene's are so lucky to have their family mostly intact.

9:44 - Rick is wandering around out on the outskirts near the fence, with Hershel calling his name.

9:45 - Rick approaches Hershel, looking like a crazy cat, as per usual.

"You know I wouldn't have hobbled all the way down here if it wasn't important. Are you coming back soon? Glenn's on a warpath, he can't fill your boots. I'm afraid he's reckless. We need you."

"Well, if you're so worried about him, you lead"

whoa. Hershel asks him what he's doing out there.

"umm, I'm doing. I've got... stuff."

Rick shakes his head, but goes on the explain.

"I saw something."

He approaches the fence.

"Lori. I saw Lori. I'm seeing Lori. Look, I know it's not really her. But there's got to be a reason. It's got to mean something."

"Was it her on the phone?"

"Yeah, Shane too. And the town."

"Do you see them now?" Hershel asks.  "You're looking for them?"

Rick says he's just waiting. Because in time it'll make sense.

9:47 - "Rick, c'mon in. You need rest. It's not safe out here."

"I cant'. I can't. I can't," Rick says and takes off.

9:48 - Michonne watches all that from a distance.

Axel flirts with Carol.

He notes that Rick's losing it. He's seen plenty of dudes crack, but Prison worked for him.

"life was more simple."

"didn't you miss your brother?" Carol asks him.

"hell, no, son of a bitch had a money problem. in that he didn't lend me any."

Axel starts talking some more, but then he gets shot in the head.
Carl looks hilarious as he realizes this. We got reaction shots from everyone,
and then a look at the Gov, who's holding a smoking gun.

Glad his depth perception isn't too affected.  Except that I hate him.

Anyway, it was obvious that this was Axel's last episode, because they were doing as much as they could to humanize him and complete his face turn before that bullet went through his cranium. Cool to see that the writers were so glad how well this worked for T-Dog's death, and decided to reuse it as a result.

commercials, of course.

9:52 - back!

at the Prison, Rick and everyone is getting blasted at!
Carol covers herself with Axel.

Rick and Michonne begin returning fire, but they're actively surrounded.

Everyone has taken cover, and the Governor laughs and blasts some warning shots.

9:54 - Maggie comes out with reinforcement weapons.

Carol's up and armed now.

Michonne misses the Gov narrowly and he barely flinches.

The sound of a car rings out in the distance.
A large truck breaches the front gate of the Prison.

The governor is laughing. He loves this shit. Walker bombing and shooting into the air.



9:55 - everyone lies in wait as the engine lies idling in the middle of the yard.
a gate swings down on the back of the truck and a bunch of Walkers jump out.

Poor  Hershel is right in the line of sight of the loose walkers.

9:56 - A woman covered in protective gear gets out of the van and starts blasting, and gunfire rings out with Rick taking out Walkers, Hershel capping walkers, Maggie taking down Woodburians and the Governor (and presumably some cronies) taking off in their vehicle down the street, passing a returning Glenn on the way down... The governor left? Why? Drop a Walker bomb and leave? That's so Doctor Evil.

next there'll be walkers with frickin' lasers on their heads.

9:57 - Rick is cornered on the fence by about ten Walkers, and one of their skulls is suddenly pierced by an arrow! Daryl AND Merle are there!

Michonne is decapitating fuckers left and right.  We were kind of hoping she'd be the one to save Rick, so he'd finally shut up about her being a liability already.
Merle and Daryl and Rick smash.

The gates are closed, and the Prison may have gotten the situation under control.

9:59 - Daryl and Rick share a cute nod, assessing the situation at hand.

Rick, Daryl and Merle are trapped between the outer yard and the prison. This area is riddled with zombies. Rick looks crazy, and we cut to clips from next week.

10:00 - holy shit, that was one of the better episodes of this season.  Very fast-paced, and has me impatient for the next episode for the first time in almost years.  Hooray?

hooray!
(link)


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Posted in 2-feb-13, ablism, adaptation, comics, gore, home, horror, liveblog, racism, sexual violence, the walking dead, the walking dead liveblog, the walking dead season three, violence, women characters, zombies | No comments

Sunday, 18 November 2012

The Walking Dead Season 3 Liveblog! Episode 6: Hounded

Posted on 17:04 by Unknown
welcome back!

we're here for another week of walker fun with rick et al (at least, that's certainly how the writers seem to view things).

today's episode is called "Hounded", again evoking some musical ideas.

we are in no way as old as our musical references imply

 a whole lot's been happening, and we've yet to see full ramifications from many of the events thus far.

since lori's death, rick has:

-killed various walkers in gruesome fashions.
-answered imaginary phone calls.
-pinned glenn to walls inside the prison.

and since lori's death rick has not:

-held his newborn daughter.
-talked to his son.
-appeared to be sane.

what will he do to shake things up this week?
how will michonne fare outside of woodbury?
is woodbury anywhere near jackson lake?

we're just blowing off steam!
(link)


join us after the jump for the answer to these and many more questions!



8:30 - you're here early! are you sure you have enough snacks? nutrition is essential in walkerland. make sure you're stocked up on edibles.


we're a little more partial to pizza pizza, but hey.

8:45 - tonight our drink selection is almost as limited as the governor's. we're into some james ready 5.5 tonight, along with some grande cuvée weizenbock and as always david's tea.





8:50 - people often ask if there's some sort of official pretty much a movie drinking guide to the things we liveblog. and no, frankly, there is not. the best advice we have is to drink when you feel like it. sometimes we'll add a suggestion here and there. but in general, y'know, walker kills, cool things, stupid things, commercials, cliches, bad voice overs, good music, good foley, neat sets, good makeup, nice attention to detail, bad continuity, etc.

...might as well test your drink now. make sure it's cold, right?  or hot, in the case of tea.

9:00 - here we go again.

as you remember, some things happened last week. they were gruesome, and somewhat horrific, but on the whole less so than the week prior. this is a small victory for us, the viewer.

9:01 - we open up with merle out in the woods with some men.
they come upon some walkers, ripped apart and organized in a pattern

"what the hell is this mess?"
"she did this"

the men are pretty worried about michonne

"damn straight tim, we're doing a righteous public service."

"go back," one of the men says

it turns out, michonne has spelt out 'go back' in walker parts (arms, legs, and a back).

a walker-gram he calls it.  i call it a rebus!

 
ooh, neil!
(link) 

one of merle's men runs off, and he goes crazy about it, and gives him shit.

then he starts yelling at michonne in the woods.

"we're armed to the teeth and you're going to pop out with your little pig-sticker?"

she does so, decapitating one guy, and killing another two.
she runs off into the woods, with merle's goon that ran off watching, and merle chasing after screaming "are we having fun yet?"  which, ew, nickelback.  but it seems she's been shot as well (by merle, of course - these lackeys are pretty much stage-dressing at this point)
we're into the theme song then, and boom.  commercials.

9:06 - rick is back... a woman is on the phone.
they've been calling since this all started.
they're safe 'cause they're careful.

"what makes your place so safe?"

"it's just away... from them?"

"i have a son... i have a newborn baby."  (hey, he remembered!  good job there, rick!)

already a better father than this douchebag.  and my baby's getting bornt by randy!
(link)

rick is begging this woman.

"could you take on others?"

he's seriously begging.

"we're good people here. we can help. we just need help. please. you don't understand. we're dying. we're dying."

poor rick.  he's gotten so desperate now...and he probably knows a lot of this is his fault.

9:08 - people are eating, and rick comes back, looking clean and safe.

everyone gets stiff..

"everyone okay?" he asks

"yeah. what about you?" hershel asks

"yeah. i cleaned out the boiler block."

rick doesn't even look at carl. he pats him on the shoulder, then talks about how many walkers he's killed, and how he needs to clean out the bodies. he plans briefly with hershel and takes off.  man, poor carl!

9:09 - merle's beating up his one guy, who ran off. he's kind puking 'cause michonne decapitated some guys.

"shit's going down, i need you son. now, you know we don't ever let our own turn."

they go on to stab into the brains of the heads, all the heads.

 
(link)

they go on after her.

"she ain't running boy, she's hunting."

9:10 - we cut back to children singing nursery rhymes in woodbury.

andrea and the governor debate the ethics of their biter matches.

the governor wants to know her problem,

"i'm not going to tell you how to run your town."

"if it's an escape, it's not a good one... i think the world's brutal enough" she tells him.

she goes on to explain she wants to work the wall

"i'm a good shot. i want to stay that way."

he asks if she can use a bow, but not after asking her if she wouldn't be happier in the kitchens.

 
(link)

9:11 - rick is tapping the phone? taking it apart?  using some kind of fancy police-techniques?

hey, i've got some weed in my, uh, boogie van.
(link)

it rings.

now there's a guy.

"you the guy she was talking to?"
"yeah"
"and you want to come where we are?"

the guy goes on to explain no one's been attacked, no one's been bit, no one's turned, no one's gone crazy.

"have you killed anyone?" he asks rick.
"yes. people that have threatened my group."
"how many people have you killed?"
"four?"
"two were outsiders, one threw walkers at me. one was one of our own..."

the guy goes on to ask about rick's wife.

"how did you lose your wife?"
"how did you know i have a wife?"
"you have a boy and a baby. how did you lose your wife?"
"i don't want to talk about that."

...click.

 
(link)

rick goes crazy and busts the shit out of a stool, and the table.


this is fun.
commercials.

norman reedus has kind of a redneck zombie playlist. but it's got some neil young on it, so win.
(all though, including lynyrd skynyrd is kind of paradoxical, no? i'm not linking sweet home alabama, but them southern men...)

9:17 - andrea chats up another lady on the wall, she's young, and good at bows? they have some straight talk about shooting and killing family members. i guess they're bonding?  and it's definitely unsettling how she speaks in the present tense (her bow being "worth more than [her] car."

andrea sees a walkers.

"walker," she says.

this girl takes a bunch of shots and misses all the time.
andrea jumps over

"we're not supposed to go over the wall," her friend yells

andrea takes it out, and her friend goes a little squirrely.

"what the hell was that?"

"that is how it's done." andrea is humorously smug.

"what is wrong with you? this isn't a game," woodbury-lady yells.

they have a staredown...the governor will be pissed.

 
in the name of terrible conformity, he shall punish you! 

9:19 - hershel goes and meets rick in the boiler room.

"may i," hershel asks rick, gesturing to a chair.

he's here to talk it seems.
hershel is badass.

"...still feel it. i'm wiggling my toes right now. i'm a ghost from the knee down." he says, rubbing his stump.

rick apologizes.

"you saved my life, rick."

he explains to rick that lori was sorry for the things that happened. she told hershel that, and she was going to tell rick.

hershel tells rick to take his time.

rick tells hershel about the phone.

"someone calls. i got a call. on this phone."

he passes the phone to hershel, who picks up and gets nothing.

"they said they were calling numbers and got me."

rick asks hershel not to tell the rest of the group.
hershel looks sad.  it seems he's willing to humor rick for the time being, because he's still got a lot of essential compassion.

"i'll sit here with you. that's something i'm pretty good at nowadays."

rick declines and hershel turns around.

scott wilson, andrew lincoln, you men are pros.
unlike these hack ass writers who pencilled a commercial in here.

9:25 - merle and his guy track michonne through the woods.

she comes out of nowhere, slashing up his guy, and attacking merle.
she loses her sword, and the walkers are on them.

merle and his new hand fare well, and michonne, who has retrieved her sword, does okay,
disembowling walkers (despite the face full of walker guts. we'll let that be, i guess.)

walkers dispatched, the men look around and she's gone.

9:26 - oscar and daryl are inside, tracking rick.
he's left some walkers alive, but they're in no hurry to kill them.

looks like carl's with them.

(link)

daryl tells him a story about his mom, and her smoking, and her penchant for wine...
he was playing with some kids.
he could do that without merle, apparently.
(oooh, foreshadowing!)

they heard some sirens, blah, blah...

the kids had bikes and daryl didn't.
his friends were surprised when he caught up.
turns out his house burnt down, cause his mom smoked.

that's how she died?

"that was my mom in bed, burnt down to nothing. that was the hard part. she was gone. erased. nothing left of her. people said it was better that way." he laughs. "ha, i don't know. just makes her seem like it wasn't real."

"i shot my mom," carl tells him "she was out. hadn't turned yet. i ended it. it was real. sorry 'bout your mom."

"sorry 'bout yours."

wow. good job parenting, rick. gary-stu/daryl is filling in quite nicely though - at least, reedus is great.

9:29 - great, now andrea is getting chewed out by the governor for going over the wall.



 she admits she liked the fights.

"...i didn't like that i liked them."

this leads to some stupid shit between the two of them that we don't approve of.
silly pseudo romantic bullshit writing with bullshit rammifications. eww.

9:31 - merle and his guy have given up. they're running.

"she killed tim and crowley."

merle says she's heading for the red zone and is as good as dead.

"what do we tell the governor," the guy asks merle.

"we tell him we killed her."

the guy doesn't agree to conspire. he wants to go after her.

"you're right," says merle. "you can't cut corners on this one."

merle asks the guy how to pronounce his name, gets it, and asks,

"hear that bird?"

then shoots him in the head.

hey look, a commercial.

9:36 - michonne, injured, is stocking up, walkers on her ass.
she unsheathes, but they walk right past?
'cause she's covered in guts?  we're not getting this one.

9:37 - phone rings.

"you didn't want to tell her how your wife died?"
"no we just lost her, do you want me to tell you?"
"it would be good to talk about it, rick."

he asks how she knows his name.
she hangs up.

9:38 - michonne limps along, her leg clearly pretty messed up.

a truck drives along in the distance.
it's likely merle.

cicadas buzz.

shit, it's maggie! not merle.

9:38 - she's got glenn with her.
they decide it's clear, then start making out.  clearly they are distracted by romance!  was this  meant to be foreshadowed a couple of episodes ago when they were banging in the guard tower?



they are being watched by at least one external party.

"it's a beautiful day," she tells him.

michonne watches from a distance as glenn uses bolt cutters to break into a building.

in the necessary jolt of the minute, some birds fly out.

 
(link)

maggie tells him to get that toy duck as michonne sneaks up.  she (maggie) sounds so happy about the prospect of getting the kid something to play with!  i guess no one had the heart to tell her lil' asskicker would probably be just as happy with a set of keys.

9:40 - the governor and andrea wax poetic about non walker life, and we learn he didn't care about his car.

andrea says she finds it hard to believe he didn't have a single thing he was proud of.

"i didn't say that," he tells her. "so how long's it been?"

"...since you had whiskey this good?"

nice save, you perv douchebag.  but of course, andrea flirts back.  because writing.

now he claims that there's no place he'd rather be than here or now. that's pretty informative.
he also tells her there's no need to be ashamed of liking the fight, or liking to fight.

"most people don't have it," he tells her. "...that's why there's a whole lot more of them then us."

"us?" she asks



"eat, drink and be merry... 'cause tomorrow we die" he toasts.

then they have some pretty gross makeouts initiated by the tasteless andrea.
"other things happen."
poor musical cues, bear.
poor cues indeed.

9:42 - glenn and maggie have "hit the formula jackpot"

 
breaking into a well-stocked pharmacy.
maggie comments on how quiet it is here, without them lining up against the fences
like "back home."

all of a sudden merle sneaks up on them.

"and where are y'all people calling home?"

oh, shit merle found them!
he recognizes glenn and drops his gun. sneaky!

"can you tell me, is my brother alive?"

 
is draco alive?
(link) 

merle says if they take him to his brother he'll call it even.  he notices glenn staring at his newly-weaponized former hand.

"you like that? yeah, i found myself a medical supply warehouse, fixed it up myself."
hmm.  okay, player.
that's some exposition i'd have actually liked to see realized.  maybe a webisode (that actually works for international viewers, you dicks!)?

this is tense.

glenn offers to tell daryl where merle is.

"the fact we found each other is a miracle, don't you trust me?"

"you trust us," glenn tells him. demanding merle stay put.  goddammit, glenn should be the leader!

merle disagrees, and shoots at glenn.
then he grabs maggie and tells glenn to get in the car.

michonne watches on.
fuuuuu

looks like glenn and maggie are woodbury-bound,
and clearly based on that shot we go to commercial on,
that baby formula is staying there.

dammit glenn! shoot people.

commercials.

9:49 -

"now that's what i'm talking about."

great dialogue, folks. good job identifying the new trivialized black character in rick's crew.  you know, now that you've totally fucked over t-dog.

(link)

anyway, daryl, oscar and carl are making their way further in.

oscar and daryl shoot up a walker.
this walker has carol's knife in it.

9:50 - rick's phone is ringing.

"how did you know my name?"
"because i know you. the people you were talking to today. that was jim, jacqui and amy."
 
wow, this is lori.
glad they did this.  we anticipated a much weaker adaptation!

 
not bad.
(link) 

"what happened, rick?  baby, what happened?" she asks him.
"i loved you...i couldn't put it back togethr, i couldn't put it back together, " he tells her. "i made a deal with myself. i would keep you alive. i'd find a place. i'd fix that, there . i couldn't open that door. i couldn't risk it. i was going to keep you alive. carl, and the baby, and then.. i just thought there would be time, but there's never time.  but i love you. i loved you. i couldn't put it back together. i should have said it. i should have said it."

"rick, now rick, you listen to me. you have the baby. our baby, and carl. i love you!...rick, i love you.... can... can...rick. can... can you do that? rick? rick?"

rick?  rick?  rick?ˆ
(link)

then it starts sounding awesome, with lori calling out to him.
i quite approve.

andrew lincoln again, ladies and gentlemen.

he hangs up the phone.

9:54 - in a gross turn of events, andrea and the governor are naked, and we are nauseated, and andrea what the fuck...
you look great, though.  just saying.

..any way, the governor has a visitor at the door, which thankfully prompts him to put on a robe.
it's merle.

he brings the news about their men being lost.

"...yeah, she cut them down, put a sword through 'em. then biters got in the way. then i got her."

the governor says merle can tell a story at the funeral.

then he asks for her head, and her sword. 'cause he's disgusting.

merle lies through his teeth, then tells about his surprise meeting with glenn and maggie,

"from the looks of it, they've got to be set up pretty good," merle says, "i'll find out where."

governor goes back inside.

andrea asks if everything is okay.

"hell yeah," he responds, disrobing.



9:57 - rick goes to meet his group and little asskicker, clothed in something pink and proper, thankfully. gotta observe strict geder roles in the zombie apocalypsem don'tcha know?



we have a cute little moment of him holding his daughter for the first time and saying hey, but frankly, it's not particularly effective this far in. we know rick is rather screwed in the head, and we know this kid's life is going to suck. why does the inception of all that seem heart-warming?

9:58 - daryl's in the hallway, making noise with carol's knife.

i guess it's time for his breakdown?

he's going to let some walkers out and kill them, but god damn if it isn't carol, all locked up in a closet!  this is a pretty big shock, as we've already seen her disembodied scarf - one of the side-character's most vital of organs.

yay, daryl has saved yet another life on his way to being the babe ruth / michael jordan of walking dead.

9:59 - rick and the group walk outside, with rick finally carrying the baby.

"hey, she looks like you," he tells carl. then he sees something. something in the distance.

he gives carl the baby and walks off towards the gate.

michonne is against the fence, amongst the walkers.... are walkers racist? is that why they don't see her?

guess it could also be considered a callback to rick and glenn's walk through the streets in walker guts from season one. hey, y'know, whatever. zombie walk season one was great!

memories...
(link)

she's against the fence with the basket that maggie and glenn lost.
the basket full of formula.

will rick let her in?!

we go to the credits before we know.  but hey, he overcame his cop training and didn't shoot her on sight!  go rick?

...our verdict? ...sort of a movie.  live!

well, that was an interesting story. it foretells some things that we don't really want to see, but do indeed happen in the comics. today held to the comics fairly closely itself, along with the past few episodes. andrew lincoln continues to be pretty great, and once michonne gets like, consistent lines we might be heading towards a show that seems mediocre when viewed favourably? like, from a critical perspective?
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Posted in 18-nov-12, ablism, adaptation, episode 6, horror, hounded, live blog, liveblog, racism, recap sexism, sort-of-a-movie, spoilers, the walking dead season three, walking dead season 3, women characters | No comments

Sunday, 11 November 2012

The Walking Dead Season 3 Liveblog! Episode 5: Say the Word

Posted on 17:45 by Unknown
hey! you're back, and so are we!
it's sunday again, and so we'll be here liveblogging The Walking Dead.

Today's episode is called "Say the Word", which inspires further musical references.

The Beatles are well aware of the word, and its implications.

What does this week's episode have in store for us?

How will Rick cope with Lori's death?

hint: not well. probably about as well as the writers? who's the lady trope now?

How will the deaths of two members (and a potential third?) affect the group?
How will Carl adapt to having a little sister?
...will they name her?
How will Daryl find formula or baby food out there in walker land?
Daryl is by far the most stylish of Rick's group.


Oh, right. Stuff will also happen involving Woodbury, and Merle, and Carol, and Andrea, and Michonne, and the Governor, and this will all eventually intersect. Spoiled!
Hop, Skip, and Jump along with us to find out all about what happens this week, and how many walkers get beaned.


8:30 - sooo, this is like the beginning of a party, when the cool kids haven't showed up yet. you've clearly misjudged how long transit was going to take you. you're here early, basically. the host invited everyone for this time, but, seriously... who's punctual these days? well apparently you are. and we commend that. thanks a lot for coming out. we're busy running around, preparing all the little gadgets and doodads required for a liveblog so talk amongst yourselves. there's chips and pop, and you can put on some cds if you want.

yummy.
 8:45 - not to keep harping on the food business, but we get really thirsty during these liveblog dealies. as a result, we tend to drink a bit.

today we're drinking some Tankhouse Ale from Mill Street Brewery, some La Fin Du Monde from Unibroue, and as per usual a bit of the leafy from David's Tea. Not sure what you drink, but you better get it lined up. We hear there's a bit of a party in Woodbury tonight!

merle gets silly when get drinks.


9:00 - of course they want to show us what happened last week. of course it was quite dark, and pretty sad. of course we wonder how they'll top it this week.

9:01 - more a boy and his dog references as we open up. a little girl plays fetch through a party at woodbury town centre.

scientist boy, looking all 50's and pleasantville brings andrea a drink.


i bet you these people live down the block from the governor.


andrea wants to know what's on tap for tonight.

"few words can describe the festivities ahead for tonight," she's told.

in the background, michonne struggles with the locals, bumping shoulders with one in a group of men. nice.

9:02 - shit. in the next scene we meet the governor's daughther! drink.

we were psyched for this. glad the writers decided she exists.

he was combing her hair, all domestic style, classical music in the background and her scalp ripped.
they struggle, but he puts a burlap sack over her head and calms her down.

"hey, hey. i'm here. daddy still loves you. you know that, right?"

this is fun and creepy.
the music cues are great.
but does that mean zombies can feel pain?  and why were her arms untied in the first place (she appears to be wearing a straightjacket)?

9:04 - just as the governor finishes subduing his daughter, he sees michonne out his window, looking in. presumably having seen everything?

good job, buddy.
leave the windows open.

i don't see this ending well for anyone.

and while i appreciate michonne's detective work, her stalking, spying and peeping tom propensities are, well, not seeming so wise.



anyway, commercial time.

9:07 - we come back to nice sound cues, rick not being able to hear much but low frequencies and a high buzz.

he comes back to, and everyone's discussing the emergency and need for food.

"not this one, not another one."

daryl starts shouting orders and organizing the crew.
 it's quite a good character development.  yay daryl!  he also leaves instructions with beth to look out for carl, since he just lost his mom and his dad seems to be coming unhinged.  dear writers: please do not advance a carl/beth storyline.  my stomach cannot handle it.

rick freaks out, grabs an axe and heads inside the cell block.

maggie and glenn are going with daryl to decide who accompanies him on a mission to find baby formula and supplies.

maggie wants to go. her and her great sweater.
glenn resists, but ultimately respects her decision.  yay glenn!
it's all very the dark knight, and the moment that made my heart break for harvey dent and the depth of his love and respect for rachel.

"trust me, harvey...bruce's penthouse is now the safest place in the city."
(link)

they share a cute kiss before daryl and maggie take off.

we cut back to rick, and he's cutting through walkers and making his way through the prison.

9:10 - back in woodbury, the governor discusses how far they've made it. coming from nine people holed up in an apartment with "spam and saltine crackers."

they toast their successes.

meanwhile, michonne and her crazy serious walk are in the governor's house, stealing her sword back.  heavy footsteps, don't you think?

she eyeballs some family pictures, and then goes through some important looking pages in a notebook. the last legible page is a list, the last (underlined, shakily-printed) name upon which is penny. then there are pages, and pages and pages of little lines. very the shining

look! another axe. the similarities are striking.  except the governor is way more hardcore, because longhand.

michonne closes the book and turns around, looking to pick the lock of the door behind her.

she's interrupted by science guy (sadly not bill nye), the governor and merle coming back, arguing about wasting resources with this party. science guy needs electrical resources for his...research.

the governor needs cases of hoplanta ipa.

the science guy wants to delay the party, but the governor says no.

9:12 - there's some tense moments, but the men leave, and michonne has already made her way out a window and into a very messy, bloody back alley. there's a bunch of guts, and pieces of walkers (or people) in a little cleared out area near a wall.

she's drawn by the sound of walkers to a fenced in area where dozens are kept.
why does every little group keep walkers on this show?
what do they hope to gain?

why doesn't michonne talk?

anyway, she opens the gate and unsheathes her sword.

they come at her, but there's just an awesome, awesome scene of arms and legs and heads coming off. torsos split in two, and heads stomped.

she's quite pleased with herself, as is everyone in this world where they seemingly kill for entertainment, but hey. happy michonne!

9:15 - there's a shot of a person with umm, slops? coming out, and we don't see who they are, but they go to commercial anyway.

9:17 - uh oh! someone's in trouble.

michonne is in a room with merle, and in comes the governor and out goes merle.

"you get off on that?" he asks. "poking around in other peoples things?"

"we got nothing to hide here," he tells her.

whoa! she breaks her silence.

"people with nothing to hide don't often feel the need to say so."

 "we all have our secrets."

"like penny?"

go-go gadget governor hairbrush!
(link)

so here's a pretty serious conversation. governor claims he's trying to do right by everyone. andrea wants to stay, michonne wants to go. it's tough.

he was totally going to give her sword back, though (yeah right). but now he's not.  waah.

he starts pacing around her with the sword.

governor's got a problem with michonne. she broke the rules. he can't have people breaking the rules, or else everyone will. he proposes a deal where she joins the research team in exchange for his silence.

"merle'll take care of ya, and ya ain't afraid of biters..."

she responds by tearing her sword from his grasp, placing it against his neck and backing away very slowly.


she storms out and merle comes back in.

"how'd it go?"

"she's a whole other personality that one."

merle asks if there's a problem, and the governor wants andrea.

9:21 - we cut back to glenn, and he's digging in the yard. axel and oscar stop by to talk.

glenn asks about the perimeter, and the men offer help.
glenn just wants to dig.

yes, even though they live in a reality where they don't know the word zombie, these people totally had minecraft.
 
oscar tells glenn how the group is obviously more than friends, more like a family. he's sorry they lost some.

glenn sees hershel at the fence, and gives the guys a shovel.

"we need two more".

we go over, and glenn and hershel is pissed. hershel calls andrew an "asshole" and glenn laments the loss of a third of their group in a day. he tells about how t-dog drove around with a church van picking up seniors when the evacuations were declared, just in case they needed rides.  and hey writers, these are really beautiful details and all.  but it sure would have been nice if you would have let t-dog showcase some of them himself, instead of revealing them after you already killed him off.  but whatevs.

he tells hershel he wishes they had killed all the prisoners, so that this wouldn't have happened.  he confesses that he'd sacrifice any stranger in order to keep his own safe.  oh, glen.  this makes me so sad.

anyway, he offers to go into the prison to bring rick out.

9:24 - we cut to andrea and the governor, and some he-said-she-said and michonne and her sword, and the biters they keep locked about.

the governor says they aren't barbarians.

what's that, lassie?  is racism stuck in the well again?
(link)

andrea goes back to michonne, who's freaking out and packing their shit. they have another throw down, and michonne points out that nobody leaves.

"nobody leaves unless they make you."

michonne then goes on to talk about the little girl in the house.

andrea says they need to try. michonne says she tried, and andrea points out that breaking into houses isn't trying.  except that this makes andrea sound reasonable, when we all know that the real reasonable thing would be to listen to michonne!

"this place is not what they say it is," michonne tells andrea.

9:26 - cut to glen tracking rick's rampage down the halls, following all the broken, halved skulls.
he comes upon rick who's in shock, staring down a bloodstain on the wall.

"rick? rick. i was worried about you. you shouldn't be in here."

glenn tries to convince rick that he doesn't need to do this on his own, and they can clear the cell block.

 a deranged rick is more interested in tossing glenn against a wall, wordlessly staring him down for like 30 seconds, and then tossing him away before we go to commercial.

9:30 - back with the woodbury boys and their fancy army trucks, it seems.

merle and some men approach some sort of solar powered turbine noise-maker dealy?
it looks like maybe it was a walker trap?

merle's excited.
he wants to kill some things.

the scientist is more interested in getting one of them out. merle makes him try it, and when they release the flock, one breaks free and starts biting the scientist. luckily, he's wearing some fancy biteproof shit that looks like duct tape.

(link)

it's quite interesting the pseudo-science these woodburians are getting up to. i wonder about the ramifications it will have down the line.

merle breaks and and clears the scene out rather sadistically with his hand-sword before knocking the last biter down and gleefully removing its teeth.

9:33 - maggie and daryl arrive at what appears to be a school? a building near a playground with cribs, any way.  probably a daycare.

maggie wisely breaks a window loudly and starts grabbing gear without assessing the scene.  spunky!

daryl jumps in and looks at a wall.
this wall has little kids' hands  on it with their names, y'know all traced out?
one was sofia and he gets emo.

some sharp tense synths start the next shot out, as our two friends eerily march down a shadowy hallway, arriving at one last room. there's a bit of noise coming from inside.

daryl walks around with a flashlight in his mouth and its funny and he's a pro.

9:35 - so anyway they pop the noisy closet open and it's a possum.
daryl shoots it.

and yay, now they have dinner!  thus ends the anticlimactic scene.

9:36 - back in woodbury, angela and michonne are trying to leave, and merle is having none of that.
"it's late it's near curfew, and the party's still on. i'd have to arrange an escort."

merle turns to talk to one of the guards about the kerfuffle.

"the governor told us we were free to come and go whenever we like," andrea says getting up in merle's face.

"sweetheard, nothing personal here, but you're going to have to take a step back."  and so she...does?  i don't know, man.  andrea.

"see, always a reason we can't leave," michonne tells andrea as she returns back to her.

suddenly there's a loud unlocking noise, (yay!) and a guard calls out "clear."

merle opens up the gates

"now if i was y'all, i'd find some shelter before nightfall," he tells them

"they knew we were coming, this is all for show!" michonne is still skeptical, but andrea is having none of it.

michonne wants to go. andrea says she begged to governor to let michonne stay - albeit, against michonne's wishes. she doesn't want to live on the road, or in meat lockers, eating twigs.

"and you -"

"- what about me?"

"i'm afraid you're going to disappear."

andrea goes on about how they always wanted a place like this. a refuge.  but michonne sticks to her proverbial guns.

"are you coming?"

"don't give me this, don't give me an ultimatum."

there's a bunch of lip-twitching and sadness, and then michonne turns.

(link)

"you just slowed me down, anyway," michonne tells andrea, and walks away.

merle quickly closes the gates as runs toward them, calling after michonne. the scene ends with michonne walking away and andrea watching at her through slats in the fence, perhaps already regretting her decision.

andrea needs to wisen up. this lady kept her alive through her fever/flu, whatever. she's not taking off or freaking out for no reason. anyway, commercials.

9:43 - back in woodbury, andrea sits sadly on a bench.
the governor comes over to console her.

"sorry things didn't work out with your friend. weird to lose someone by their own hand. thought those days were gone."

now he offers her a drink. he always wants people to drink, it seems. interesting.

"something to take your mind off it."

apparently you can drink on the streets in woodbury.

9:44 - night has fallen completely now, and maggie and daryl return to the prison, blasting their way through walkers with precious, precious formula.

daryl walks in and takes the baby from carl, and begins feeding it with his pre-set bottle with formula ready to go. daryl's got this situation on lockdown. when the baby stops crying, daryl asks if it has a name yet.

"maybe sofia..."

carl starts off. then he names literally every woman on the show that's died, ending with lori.
 everyone gets sad.

daryl suggests asskicker as a name.

"you like that?  huh, little asskicker?  you like that, sweetheart?"

aww.

9:46 - shiiii

so rick finally gets to the boiler room that little asskicker was birthed in.

but umm, the body's not there. some guts are, but not the body.

rick finds a bullet casing on the ground, and a path of blood and stuff the ground that obviously leads to a fucking walker that's eaten lori.

because rick is crazy he shoots the walker in the head and then goes back to get the birthing knife for little asskicker.

of course, he comes back to the walker and starts stabbing the hell out of its huge, bulging stomach with the knife that carl carried around that ultimately dealt what would have been a fatal wound to lori.  i guess that's marginally less gross (but also way less interesting!) than my prediction, which was that he would attempt to carve out lori's remains.

the parallells between the shots, walker belly, lori belly, were quite umm... creepy? but hey, that's a show about zombies/pregnancy body-horror for ya.

any way, yeah, rick goes stabby and we go to commercial.

9:53 - nighttime at woodbury, and there's a real party, with real (what would have been licensed) rock and roll music that i frankly, can't really remember the name of.
edited to add: apparently it's lynyrd skynyrd's "mr. saturday night special."  and we are choosing not to link the video due to their recent decision to keep representing themselves with racist iconography.  clearly, it's their loss.

"little loud," andrea says.

just then, the music starts blaring, and the lights go up.

apparently merle and another man are going to murder up some chained-up walkers.

andrea looks on horrified as the citizens literally cheer on merle who's going to kick some biter ass
"no-handed."

a man lifts a child up on to his shoulders so he can watch.
oooh, i see. this isn't the men fighting the biters. the men are fighting each other, with the biters at ringside? like wrestling? like a lumberjack match, mixed with mma?

(link)

it seems like as the rounds go on the referee extends the biters' chains?

andrea tries to leave.
the governor stops her.

he asserts this is simply to blow off some steam.

andrea calls it barbaric and crazy, but the governor stops her yet again, misunderstanding the nature of her reaction.
oooh, it turns out this is staged, and fake like wrestling.  somehow the governor thinks this will mitigate andrea's feelings?  super creepy.

these are the walkers that have their teeth pulled out.
okay then.

the governor explains this is about making people not scared of the biters.
not sure he gets the point, but hey, his daughter is a biter.  maybe he would know.

merle pins the other guy for the 1-2-3 (which he counts in spanish, because merle is racist), just like in 'rasslin'

9:58 - we cut to morning, with shots of the sunrise over razor wire.
daryl is is paying his respects to a grave, one with a 'c' of rocks in front of it? probably carol's? maybe lori's? who knows?

9:59 - back inside, rick is going crazy, and hearing a baby crying. then a phone ringing... but the phone is actually ringing? the phone?

andrew lincoln is great.

"hello?"

aaaaaand, that's the show.

okay. that was pretty good. lots of gory walker kills. development in terms of some stories, mostly michonne and andrea and the woodbury business. they also developed a bunch of the creepiness that is science and politics of woodbury.

they've introduced the governor's daughter, which is great.
they've introduced the phone which is great.
michonne got to speak, which is great!
but they over-used cliff-hangers.  which is not great.  and also i got bored sometimes.
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Posted in 11-nov-12, ablism, adaptation, gender, horror, live blog, liveblog, racism, recap race, sexism, spoiler, SPOILER ALERT, spoilers, the walking dead, the walking dead season three, women characters | No comments
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