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Sunday, 25 November 2012

The Walking Dead Season 3 Liveblog! Episode 7: When the Dead Come Knocking

Posted on 17:35 by Unknown
Good Sunday Evening, everyone!

Clearly with it being Sunday, you've shuffled your internet self over here to have a few drinks, and crunch some chips, and find out all about Walkers, Biters, Lurkers and Creepers with us.

Today's episode is called "When the Dead Come Knocking", and promises to bring us further befuddlement of our favourite settlements at both Unnamed Prison, and Woodbury, Georgia.

Wouldn't you know it though, I'm not particularly aware of any songs out there in the world called "When the Dead Come Knocking". I do suppose that we could write it. Or maybe even that some obscure metal band has already done so and it's not on Youtube. Either way, everyone loves some Johnny Cash.


Close enough, eh? Honourable mention to Knocking on Heaven's Door from Axl and Co.


So what do the sick fucks writers have in store for us this week?


How much longer will Andrea run around with her head in her ass?
How far will the Governor go in questioning Glenn and Maggie?
Will Little Ass-Kicker get a name? Or some of Michonne's formula?
Will Michonne find sanctuary with Rick's gang?

oscar too has risen to a level of respect. it's true. otherwise, why would they even show us this?




Join us over the jump to get the answer to these, and hopefully many more questions.






8:30 - welcome, madames et monsieurs to another installment of Walker/Biter Theatre.  We'll be your hosts for another week.

it has been brought to our attention that a few weeks ago we made a clerical error, and as such have an editorial correction. Please note the following picture.
 

we have noted that this is not, in fact a poncho, but instead a serape. 

this,  is a poncho

 


 
(link)

we apologize for any inconvenience.

now grab your snacks, and liquor up, friends. it promises to be a hectic week.

we're still making dinner, here. shrimp po' boy sandwiches. yay us.

8:45 - as we prepare our dinner, and while watching most of the episode, we'll be drinking la fin du monde and mill street stock organic. during talking dead? tea tea tea from david's tea.

what in the hell do you folks drink? always coca-cola?

 

(link)

8:55 - still making these damn shrimp sandwiches. ugh.

what does this mean for you? nothing.
what does it mean for me? kinda of cold dinner.

any way, hang on tight, kids, we're rolling soon!

9:00 - i'm so glad they remind me what happened last week. it's not like we blog it or anything.

hey, man. i want to be a character in their video game, or to win the...new...car... driven by the cast this season?

so any way, really - last week, michonne ran out, maggie and glenn got caught... oh, and fuck merle.

right - and michonne found the group.

9:01 - we start off with merle's stump interrogating a bound glenn.

merle claims he means to harm.

"i lowered my gun, but you raised yours."

merle goes on to tell him he was an asshole out there, just like they were in atlanta.
 merle really hasn't let go of atlanta.
 glenn says they went back for him, rick and daryl and t-dogg

oooh, man. racism! merle calls t-dog a "spear-chucker."  off to a classy start, just like season one!

merle wants to meet up with him and bury the hatchet.
 glenn tells him he didn't make it.

merle leans in,

"well i hope he went slow."

he goes on to ask about his brother, and then gets niiiiiice and creepy about maggie and glenn.
asking about when she gets scared, and how she kisses glenn. all the while, rubbing his knife/stump about him.

"i remember you. you're sneaky one. you don't get scared, do you?"

 
i don't want to have any conversations about what a mysterious, inscrutable man i am!
you said it, chang.
(link) 

he keeps stalking around glenn, going on to ask about daryl.

merle gets his knife up in glenn's face.

"now, i want to know where my brother is. where to sheriff is."

glenn fights back and bloodies merle's nose with a pretty sweet headbutt, but merle eventually gets the better of him.



"i want to know now. tell me. where the hell are they?"

ohh, did we mention maggie is next door and can hear everything? no? well, she can.

so she hears merle beating the crap out of glenn as we go to commercial.  did we mention that one of us doesn't actually enjoy human-on-human violence?  why the fuck do we watch this show?

9:07 - were back at the prison, and there are walkers at the fence!

but surprise, also michonne.

her and rick have a stare-down. carl runs up as she notes her shot-up leg.  i must say, and maybe this is just danai gurira adapting to the writers' lack of insight, but michonne is amazing at conveying things without words.  and also at glaring.  sexily and otherwise.

some walkers come at her and are dispelled easily.

carl asks if they should help her, but this is michonne. she's beheading shit all over.

she is getting over run though, and she faints.

it looks bad, but see our macro above....

..walkers are on her, but carl shoots them up.  sometimes carl is actually pretty cool.
 
(link) 

"shit"

rick says, then opens the gate, blasting away.

they put down all the walkers nearby.

carl goes for the formula and discarded backpack.  what a little trooper!  i'll try to be less annoyed by him.

rick's on her (michonne), and i am groooooossed out by the shot of him moving her clothes to check her injuries.  in the moment, it seems way too sexualized, and i can't help but remember he is a law enforcement officer.

"is she bit?" hershel asks.

as a cop, rick correctly identifies her gunshot wound.

9:10 - rick carries michonne in, barking commands.

he claims she's not going to stay in the cellblock.

"who are you?" he asks her.

she goes for her sword.

"we're not going to hurt you, unless you try something stupid first."

"rick," daryl comes in. "who the hell is this?"

rick asks her if she wants to tell them her name.

daryl tells rick to come with him, presumably having looked through her shit.

carl grabs her bag and sword.

michonne catches no breaks.

"the doors are locked, you'll be safe here."

"i didn't ask for your help."

"doesn't matter. you'll be safe here."

rick locks her up and heads up.

9:11 - aww, everyone has a cute carol reunion.
i suppose we care.
i mean, i do like carol.

there's some mcreary shit here, with daryl being a hero, blah blah.

 
(link)

special magic daryl, and sad carol about lori, all while michonne is locked up in another cell.

any way, carl is crying, 'cause everyone's sad about what's happened.

everyone but michonne who looks on angrily.

9:13 - we pan back on the wall of tires, we're at woodbury.

scientist guy, who i can never remember the name of?
yeah, he shows up at the governor's.

'mr.coleman is ready' he tells the governor.

andrea's putting on clothes, 'cause as you might remember she and the gov have some grossness happening.
but i'm not going to lie, that shimmy she does getting back into her pants?

 
(link)

9:14 - back at the prison, rick says he's going to give michonne food and water, but he wants to know why she had formula, and then to send her on her way.

michonne tells them about "the young asian guy, and the pretty girl" (but not the pretty white girl?  writers, you're giving your vanilla selves away again!) to explain the formula, and the sonofabitch that shot her.

rick gets hostile and grabs at her wound.  there's that fucking police brutality we ALL  knew was coming, but dreaded all the same.  so, uh, yay?

 
(link)


she standss up.
daryl's on her with the crossbow.
it's intense, but i enjoy that she's talking.

michonne starts explaining about the settlement, woodbury, the governor, etc.
"a pretty boy.  charming, jim jones type.

rick asks if they could infiltrate.

9:15 - glenn's had the shit kicked out of him, and merle's mouthy about it.

"i'm surprised you lasted this long," merle says to glenn, "so tell me, where y'all been at?"

"it's just a matter of time 'til they come looking, " glenn responds.

"i'll bake a cake, with pink frosting. think they'll like that?"

glenn goes on about how they're hard, rick, shane, dale, jim, andrea, how they're all coming.
he's clearly fucked up on the andrea part.

"we? is that right?" merle asks.

 
(link)

commercial time.

9:20 - back at the prison, hershel (who has plenty of experience with gunshot wounds, and also some pretty great eyebrows) is fixing up michonne while carl looks on, armed.

meanwhile, the group discusses going with michonne after maggie and glenn.
the whole gang is in.

they cut away, and everyone's loading up that toyata. tear gas and flash bombs, weapons and whatnot.

"don't you worry about your old man," daryl tells carl "i'll keep my eye on him."
aww!
i like their quasi-sibling relationship that seems to be developing.

michonne asks how they cleared the jail out and beth brings her up to speed on their losses. kind of a nice moment for both of them, who have each had limited lines so far this season.

they cut away and rick and carl are having a moment.

"...what you did for me..." rick starts.

carl asks how long they'll be gone, and says he'll be okay.
rick gives him instructions, but carl says he'll be okay.

"take care of your sister, alright?"

"daryl's been calling her asskicker."

"asskicker, has he now? what do you think we should call her?"

carl decides to name her judith, after his third grade teacher.

this was a nicely shot scene, skeletons of the prison in the background.

"stay safe," daryl tells carol.

"bring 'em back," hershel tells rick.

9:23 - they open up the gates and drive off.

back at woodbury, somebody's listening to records and looking at art?
the scientist?



andrea and the gov bust in on him.

he's feeding an elderly gentleman. perhaps mr coleman?

the governor gets cute with him, and thanks him for doing this great service, then departs. andrea stays behind oddly?

she changes the song on science guy's mark, who starts a bowl ringing with a piece of metal?

"my name is milton," the scientist goes on.

he asks the man to raise his hand when he identifies statements as true.

the man remembers himself, his wife and his children.

he holds milton's hand and the man whispers to him as he leans in.

"what did he say," andrea asks.

"he asked if i could keep it playing while we wait."

9:27 - so we cut back to glenn, obviously duct-taped into a chair from wrist to elbow.

merle brings a walker in, telling glenn that this is how he felt on the roof earlier.

"you're a pretty big snack for him, but you know what they say, he'll be hungry again in an hour."

 
(link)

so glenn's fighting a walker, duct-taped to a chair like drew barrymore in charlie's angels.

far less elegantly, he eventually breaks the chair apart and kills the walker with stumps of chair, then starts screaming. 'cause glenn is crazy hard. he hulked out. i thiiiiik merle is going to regret this, 'cause glenn is fucking awesome.

 commercial.

lol, during the commercials melissa mcbride offers a list of reasons carol's hair never grows. wish i could have actually read it.

9:32 - back with Milton, we learn the purpose of the experiment.

Whether trace memory of human memory exists after the subject passes and turns.

Mr Coleman has prostate cancer and can't be treated, and as he passes they will keep testing for baseline memories.

Milton and he have spent much time together learning about one another, so that they can ascertain the true level of walker conscience.

Andrea claims there's obviously nothing left.  and frankly, she would be pretty invested in that notion, what with having had to shoot amy and all.

 
(link)

"you haven't seen this before... the transformation?"

milton had no family before. he telecommuted to work.  he hasn't seen shit.
he has no idea.

how sheltered are the people of Woodbury?

9:34 - whelp. they're restraining Mr Coleman who has passed, and it's a sombre mood here.

Andrea finishes the last parts for Milton who struggles.

9:35 - Merle brings The Governor up to speed.

They realize Glenn is hard, and this all leads to The Governor going to discuss things with Andrea.

Ahh, the old Good Cop, Bad Cop routine?



wouldn't it be crazy with jim gordon leading this group instead?

9:36 - Maggie's alone, dark room, creaky door, the whole nine when Jackson Lake, the Governor shows up.

nice foley on his boots as he stares her down and walks about.

He strolls behind her and undoes her duct tape binding.

He pulls out a chair and asks if he can sit down.

"We'll take you back to your people and explain that this is all just a misunderstanding. You tell us where they are and we'll drive them back there."

"I want to talk to Glenn."

The Governor says her people are dangerous because of what they did to Merle.

"You tell us where they are, and we'll bring them back here."

Well that changed.

She resists.

"No? Let's try something else," the Governor says. "Stand up please."

Maggie resists.

"Take off your shirt," he says.

"No."

"Take off your shirt or I'll bring Glenn's hand in here."

She removes her shirt.
Man, fuck this.

"Go on,"the Governor says.

and she undoes her bra, standing before him topless, covering herself.

He gets up and undoes his belt, then walks towards her.

This is completely called for.

 
not!
(link)

He stands next to her and we can't reeeeally see what's going on, but he starts touching her. Hair first.
Then he slams her face into the table.

"So you want to talk?"

"Do whatever you're going to do, then go hell," she tells him. 

He ponders it, then backs off?

That's two for three for sexual assaults of female characters seen having sex previously on screen here.

Classy.

And hey, congratulations, The Walking Dead!  And a seeming word of advice to other shows: if you'd like to insulate your work from feminist criticism, just make it extremely painful for women and their allies to watch your show!  Yaaaay!

Large Thumbnail #Wh9jL 
(link)
  

Commercial.

9:44 - we're back.

rick's gang drives down the road.
that must feel weird these days.
anyway, after very little more driving, rick stops the car and they get out.

"they have patrols. we're better off on foot," michonne tells them.

they get out and gear up, walkers in the distance.

i like the sound of cicadas and grasshoppers.

the gang starts walking through the woods.

"i know what you did for me, for my baby, while i was working things out. thank you," rick says to daryl.

"it's what we do," daryl says.

the group comes up upon a pretty serious and sizeable horde within the forest.

Doctor Who (UK) - 05x05 Flesh and Stone (Part 2)
(link)

some nice throbby music comes in, and rick tells the group to use no gunfire, then they start killing.
they do their best, but there are faaaar too many.

they make a retreat to a small log cabin.
 

inside daryl remarks on the smell.

"what is that," oscar asks

"probably a fox, or what's left of one," daryl responds.

they're completely surrounded by walkers in this cabin.

9:47 - rick whistles to daryl.

there's a guy under the covers who really resembles this guy:

(link)

"get the hell out of my house!"

he starts freaking out and michonne tells them to quiet him down.

the guy brandishes his gun.

"i'll call the cops!"
who the fuck is he?

"i am a cop," rick tells him.

the guy demands a badge, rick feints going for his and then grabs the guy's gun as he shoots  and that him.
a struggle breaks out, and michonne ends up stabbing the guy as he heads for the door.
he was clearly a little off.

daryl looks out through the cracks in the walls and asks "remember the alamo?"

9:49 - oscar discerns that the rear exit is safe, so they throw crazy dude's body out the door.
oscar grabs this guy's gun and they make a run for it, as zombie walker hands crawl over the dude guy for much longer than seems interesting.

is this supposed to be worse than what happened to maggie?
who was that guy?

how did he not notice the lack of police? or his dead dog? what phone would he use?

commercial, anyway.

9:53 - we're back, and mr.coleman is turning!

sniffing the air, his eyes turning red.
milton runs through the entire gamut of questions as the former mr. coleman does nothing.
milton interprets a finger twitch (or the zombie clutching and grasping, as they sometimes do) as response, and tries to loosen the bindings to prove his hypothesis.
andrea offs the walker as it lunges for milton's face.

milton is sad.

9:55 - well, the governor and merle bring topless maggie in the room with glenn.
doubt this will end well.

"we're through with games," the governor says, putting a gun to glenn's head. "now one of you is going to give up your gang."

maggie tells him.

"prison..."

"how many are you," the governor asks. "that place was overrun."

"ten. we're ten now."

"ten people cleared that prison of biters?"

maggie's freaking out now, and the governor is mock comforting her, basically creeping (kissing her temples, stroking her hair, pulling her close - but she never breaks eye contact with glenn even as she visibly shudders and tears up and i hate this SO MUCH) before tossing her at glenn and taking off.

9:57 - The Governor's men have an emergeny meeting.

They decide either Maggie is lying, or Rick's Group is crazy scary.

Rick's (sample-sized!) group by the way, is on the outer borders.

"your brother might be out there right now, searching for them," the governor tells merle. "blood is blood, right? makes me wonder where your loyalties lie."

merle assures the governor that blah blah i could not give a fuck about either of you.

the governor decides to send a small scout crew to the prison.
whoaaaa. rick's and co are like, 50 feet from andrea on the other side of the gate, and yet nobody knows.

andrea heads inside to meet her sleazy sexual assualty boyfriend the governor, who asks if she had fun with milton.

andrea pours a drink

"what happened?" the governor asks

"mr coleman died," andrea tells him

bear mcreary throb is back. very dubby.

"and did milton find what he was looking for?"

andrea breaks down, and goes to the governor for comfort.

"hey. it's all right," he tells her. comforting her as he 'comforted' maggie before. "it's okay."

whelp, on that we go to commercial.
that episode was full of grossness. but hey, lots of screen time for female characters? only 1/5 of which were sexually assaulted over the course of the episode? that's.... pretty terrible. but hey, otherwise, it was... an episode of the walking dead?

hey, next week looks like a cracker.


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Posted in 25-nov-12, adaptation, episode 7, horror, liveblog, racism, recap, sexism, sexual violence, sort-of-a-movie, spoilers, the walking dead season three, when the dead come knocking, women characters | No comments

Sunday, 18 November 2012

The Walking Dead Season 3 Liveblog! Episode 6: Hounded

Posted on 17:04 by Unknown
welcome back!

we're here for another week of walker fun with rick et al (at least, that's certainly how the writers seem to view things).

today's episode is called "Hounded", again evoking some musical ideas.

we are in no way as old as our musical references imply

 a whole lot's been happening, and we've yet to see full ramifications from many of the events thus far.

since lori's death, rick has:

-killed various walkers in gruesome fashions.
-answered imaginary phone calls.
-pinned glenn to walls inside the prison.

and since lori's death rick has not:

-held his newborn daughter.
-talked to his son.
-appeared to be sane.

what will he do to shake things up this week?
how will michonne fare outside of woodbury?
is woodbury anywhere near jackson lake?

we're just blowing off steam!
(link)


join us after the jump for the answer to these and many more questions!



8:30 - you're here early! are you sure you have enough snacks? nutrition is essential in walkerland. make sure you're stocked up on edibles.


we're a little more partial to pizza pizza, but hey.

8:45 - tonight our drink selection is almost as limited as the governor's. we're into some james ready 5.5 tonight, along with some grande cuvée weizenbock and as always david's tea.





8:50 - people often ask if there's some sort of official pretty much a movie drinking guide to the things we liveblog. and no, frankly, there is not. the best advice we have is to drink when you feel like it. sometimes we'll add a suggestion here and there. but in general, y'know, walker kills, cool things, stupid things, commercials, cliches, bad voice overs, good music, good foley, neat sets, good makeup, nice attention to detail, bad continuity, etc.

...might as well test your drink now. make sure it's cold, right?  or hot, in the case of tea.

9:00 - here we go again.

as you remember, some things happened last week. they were gruesome, and somewhat horrific, but on the whole less so than the week prior. this is a small victory for us, the viewer.

9:01 - we open up with merle out in the woods with some men.
they come upon some walkers, ripped apart and organized in a pattern

"what the hell is this mess?"
"she did this"

the men are pretty worried about michonne

"damn straight tim, we're doing a righteous public service."

"go back," one of the men says

it turns out, michonne has spelt out 'go back' in walker parts (arms, legs, and a back).

a walker-gram he calls it.  i call it a rebus!

 
ooh, neil!
(link) 

one of merle's men runs off, and he goes crazy about it, and gives him shit.

then he starts yelling at michonne in the woods.

"we're armed to the teeth and you're going to pop out with your little pig-sticker?"

she does so, decapitating one guy, and killing another two.
she runs off into the woods, with merle's goon that ran off watching, and merle chasing after screaming "are we having fun yet?"  which, ew, nickelback.  but it seems she's been shot as well (by merle, of course - these lackeys are pretty much stage-dressing at this point)
we're into the theme song then, and boom.  commercials.

9:06 - rick is back... a woman is on the phone.
they've been calling since this all started.
they're safe 'cause they're careful.

"what makes your place so safe?"

"it's just away... from them?"

"i have a son... i have a newborn baby."  (hey, he remembered!  good job there, rick!)

already a better father than this douchebag.  and my baby's getting bornt by randy!
(link)

rick is begging this woman.

"could you take on others?"

he's seriously begging.

"we're good people here. we can help. we just need help. please. you don't understand. we're dying. we're dying."

poor rick.  he's gotten so desperate now...and he probably knows a lot of this is his fault.

9:08 - people are eating, and rick comes back, looking clean and safe.

everyone gets stiff..

"everyone okay?" he asks

"yeah. what about you?" hershel asks

"yeah. i cleaned out the boiler block."

rick doesn't even look at carl. he pats him on the shoulder, then talks about how many walkers he's killed, and how he needs to clean out the bodies. he plans briefly with hershel and takes off.  man, poor carl!

9:09 - merle's beating up his one guy, who ran off. he's kind puking 'cause michonne decapitated some guys.

"shit's going down, i need you son. now, you know we don't ever let our own turn."

they go on to stab into the brains of the heads, all the heads.

 
(link)

they go on after her.

"she ain't running boy, she's hunting."

9:10 - we cut back to children singing nursery rhymes in woodbury.

andrea and the governor debate the ethics of their biter matches.

the governor wants to know her problem,

"i'm not going to tell you how to run your town."

"if it's an escape, it's not a good one... i think the world's brutal enough" she tells him.

she goes on to explain she wants to work the wall

"i'm a good shot. i want to stay that way."

he asks if she can use a bow, but not after asking her if she wouldn't be happier in the kitchens.

 
(link)

9:11 - rick is tapping the phone? taking it apart?  using some kind of fancy police-techniques?

hey, i've got some weed in my, uh, boogie van.
(link)

it rings.

now there's a guy.

"you the guy she was talking to?"
"yeah"
"and you want to come where we are?"

the guy goes on to explain no one's been attacked, no one's been bit, no one's turned, no one's gone crazy.

"have you killed anyone?" he asks rick.
"yes. people that have threatened my group."
"how many people have you killed?"
"four?"
"two were outsiders, one threw walkers at me. one was one of our own..."

the guy goes on to ask about rick's wife.

"how did you lose your wife?"
"how did you know i have a wife?"
"you have a boy and a baby. how did you lose your wife?"
"i don't want to talk about that."

...click.

 
(link)

rick goes crazy and busts the shit out of a stool, and the table.


this is fun.
commercials.

norman reedus has kind of a redneck zombie playlist. but it's got some neil young on it, so win.
(all though, including lynyrd skynyrd is kind of paradoxical, no? i'm not linking sweet home alabama, but them southern men...)

9:17 - andrea chats up another lady on the wall, she's young, and good at bows? they have some straight talk about shooting and killing family members. i guess they're bonding?  and it's definitely unsettling how she speaks in the present tense (her bow being "worth more than [her] car."

andrea sees a walkers.

"walker," she says.

this girl takes a bunch of shots and misses all the time.
andrea jumps over

"we're not supposed to go over the wall," her friend yells

andrea takes it out, and her friend goes a little squirrely.

"what the hell was that?"

"that is how it's done." andrea is humorously smug.

"what is wrong with you? this isn't a game," woodbury-lady yells.

they have a staredown...the governor will be pissed.

 
in the name of terrible conformity, he shall punish you! 

9:19 - hershel goes and meets rick in the boiler room.

"may i," hershel asks rick, gesturing to a chair.

he's here to talk it seems.
hershel is badass.

"...still feel it. i'm wiggling my toes right now. i'm a ghost from the knee down." he says, rubbing his stump.

rick apologizes.

"you saved my life, rick."

he explains to rick that lori was sorry for the things that happened. she told hershel that, and she was going to tell rick.

hershel tells rick to take his time.

rick tells hershel about the phone.

"someone calls. i got a call. on this phone."

he passes the phone to hershel, who picks up and gets nothing.

"they said they were calling numbers and got me."

rick asks hershel not to tell the rest of the group.
hershel looks sad.  it seems he's willing to humor rick for the time being, because he's still got a lot of essential compassion.

"i'll sit here with you. that's something i'm pretty good at nowadays."

rick declines and hershel turns around.

scott wilson, andrew lincoln, you men are pros.
unlike these hack ass writers who pencilled a commercial in here.

9:25 - merle and his guy track michonne through the woods.

she comes out of nowhere, slashing up his guy, and attacking merle.
she loses her sword, and the walkers are on them.

merle and his new hand fare well, and michonne, who has retrieved her sword, does okay,
disembowling walkers (despite the face full of walker guts. we'll let that be, i guess.)

walkers dispatched, the men look around and she's gone.

9:26 - oscar and daryl are inside, tracking rick.
he's left some walkers alive, but they're in no hurry to kill them.

looks like carl's with them.

(link)

daryl tells him a story about his mom, and her smoking, and her penchant for wine...
he was playing with some kids.
he could do that without merle, apparently.
(oooh, foreshadowing!)

they heard some sirens, blah, blah...

the kids had bikes and daryl didn't.
his friends were surprised when he caught up.
turns out his house burnt down, cause his mom smoked.

that's how she died?

"that was my mom in bed, burnt down to nothing. that was the hard part. she was gone. erased. nothing left of her. people said it was better that way." he laughs. "ha, i don't know. just makes her seem like it wasn't real."

"i shot my mom," carl tells him "she was out. hadn't turned yet. i ended it. it was real. sorry 'bout your mom."

"sorry 'bout yours."

wow. good job parenting, rick. gary-stu/daryl is filling in quite nicely though - at least, reedus is great.

9:29 - great, now andrea is getting chewed out by the governor for going over the wall.



 she admits she liked the fights.

"...i didn't like that i liked them."

this leads to some stupid shit between the two of them that we don't approve of.
silly pseudo romantic bullshit writing with bullshit rammifications. eww.

9:31 - merle and his guy have given up. they're running.

"she killed tim and crowley."

merle says she's heading for the red zone and is as good as dead.

"what do we tell the governor," the guy asks merle.

"we tell him we killed her."

the guy doesn't agree to conspire. he wants to go after her.

"you're right," says merle. "you can't cut corners on this one."

merle asks the guy how to pronounce his name, gets it, and asks,

"hear that bird?"

then shoots him in the head.

hey look, a commercial.

9:36 - michonne, injured, is stocking up, walkers on her ass.
she unsheathes, but they walk right past?
'cause she's covered in guts?  we're not getting this one.

9:37 - phone rings.

"you didn't want to tell her how your wife died?"
"no we just lost her, do you want me to tell you?"
"it would be good to talk about it, rick."

he asks how she knows his name.
she hangs up.

9:38 - michonne limps along, her leg clearly pretty messed up.

a truck drives along in the distance.
it's likely merle.

cicadas buzz.

shit, it's maggie! not merle.

9:38 - she's got glenn with her.
they decide it's clear, then start making out.  clearly they are distracted by romance!  was this  meant to be foreshadowed a couple of episodes ago when they were banging in the guard tower?



they are being watched by at least one external party.

"it's a beautiful day," she tells him.

michonne watches from a distance as glenn uses bolt cutters to break into a building.

in the necessary jolt of the minute, some birds fly out.

 
(link)

maggie tells him to get that toy duck as michonne sneaks up.  she (maggie) sounds so happy about the prospect of getting the kid something to play with!  i guess no one had the heart to tell her lil' asskicker would probably be just as happy with a set of keys.

9:40 - the governor and andrea wax poetic about non walker life, and we learn he didn't care about his car.

andrea says she finds it hard to believe he didn't have a single thing he was proud of.

"i didn't say that," he tells her. "so how long's it been?"

"...since you had whiskey this good?"

nice save, you perv douchebag.  but of course, andrea flirts back.  because writing.

now he claims that there's no place he'd rather be than here or now. that's pretty informative.
he also tells her there's no need to be ashamed of liking the fight, or liking to fight.

"most people don't have it," he tells her. "...that's why there's a whole lot more of them then us."

"us?" she asks



"eat, drink and be merry... 'cause tomorrow we die" he toasts.

then they have some pretty gross makeouts initiated by the tasteless andrea.
"other things happen."
poor musical cues, bear.
poor cues indeed.

9:42 - glenn and maggie have "hit the formula jackpot"

 
breaking into a well-stocked pharmacy.
maggie comments on how quiet it is here, without them lining up against the fences
like "back home."

all of a sudden merle sneaks up on them.

"and where are y'all people calling home?"

oh, shit merle found them!
he recognizes glenn and drops his gun. sneaky!

"can you tell me, is my brother alive?"

 
is draco alive?
(link) 

merle says if they take him to his brother he'll call it even.  he notices glenn staring at his newly-weaponized former hand.

"you like that? yeah, i found myself a medical supply warehouse, fixed it up myself."
hmm.  okay, player.
that's some exposition i'd have actually liked to see realized.  maybe a webisode (that actually works for international viewers, you dicks!)?

this is tense.

glenn offers to tell daryl where merle is.

"the fact we found each other is a miracle, don't you trust me?"

"you trust us," glenn tells him. demanding merle stay put.  goddammit, glenn should be the leader!

merle disagrees, and shoots at glenn.
then he grabs maggie and tells glenn to get in the car.

michonne watches on.
fuuuuu

looks like glenn and maggie are woodbury-bound,
and clearly based on that shot we go to commercial on,
that baby formula is staying there.

dammit glenn! shoot people.

commercials.

9:49 -

"now that's what i'm talking about."

great dialogue, folks. good job identifying the new trivialized black character in rick's crew.  you know, now that you've totally fucked over t-dog.

(link)

anyway, daryl, oscar and carl are making their way further in.

oscar and daryl shoot up a walker.
this walker has carol's knife in it.

9:50 - rick's phone is ringing.

"how did you know my name?"
"because i know you. the people you were talking to today. that was jim, jacqui and amy."
 
wow, this is lori.
glad they did this.  we anticipated a much weaker adaptation!

 
not bad.
(link) 

"what happened, rick?  baby, what happened?" she asks him.
"i loved you...i couldn't put it back togethr, i couldn't put it back together, " he tells her. "i made a deal with myself. i would keep you alive. i'd find a place. i'd fix that, there . i couldn't open that door. i couldn't risk it. i was going to keep you alive. carl, and the baby, and then.. i just thought there would be time, but there's never time.  but i love you. i loved you. i couldn't put it back together. i should have said it. i should have said it."

"rick, now rick, you listen to me. you have the baby. our baby, and carl. i love you!...rick, i love you.... can... can...rick. can... can you do that? rick? rick?"

rick?  rick?  rick?ˆ
(link)

then it starts sounding awesome, with lori calling out to him.
i quite approve.

andrew lincoln again, ladies and gentlemen.

he hangs up the phone.

9:54 - in a gross turn of events, andrea and the governor are naked, and we are nauseated, and andrea what the fuck...
you look great, though.  just saying.

..any way, the governor has a visitor at the door, which thankfully prompts him to put on a robe.
it's merle.

he brings the news about their men being lost.

"...yeah, she cut them down, put a sword through 'em. then biters got in the way. then i got her."

the governor says merle can tell a story at the funeral.

then he asks for her head, and her sword. 'cause he's disgusting.

merle lies through his teeth, then tells about his surprise meeting with glenn and maggie,

"from the looks of it, they've got to be set up pretty good," merle says, "i'll find out where."

governor goes back inside.

andrea asks if everything is okay.

"hell yeah," he responds, disrobing.



9:57 - rick goes to meet his group and little asskicker, clothed in something pink and proper, thankfully. gotta observe strict geder roles in the zombie apocalypsem don'tcha know?



we have a cute little moment of him holding his daughter for the first time and saying hey, but frankly, it's not particularly effective this far in. we know rick is rather screwed in the head, and we know this kid's life is going to suck. why does the inception of all that seem heart-warming?

9:58 - daryl's in the hallway, making noise with carol's knife.

i guess it's time for his breakdown?

he's going to let some walkers out and kill them, but god damn if it isn't carol, all locked up in a closet!  this is a pretty big shock, as we've already seen her disembodied scarf - one of the side-character's most vital of organs.

yay, daryl has saved yet another life on his way to being the babe ruth / michael jordan of walking dead.

9:59 - rick and the group walk outside, with rick finally carrying the baby.

"hey, she looks like you," he tells carl. then he sees something. something in the distance.

he gives carl the baby and walks off towards the gate.

michonne is against the fence, amongst the walkers.... are walkers racist? is that why they don't see her?

guess it could also be considered a callback to rick and glenn's walk through the streets in walker guts from season one. hey, y'know, whatever. zombie walk season one was great!

memories...
(link)

she's against the fence with the basket that maggie and glenn lost.
the basket full of formula.

will rick let her in?!

we go to the credits before we know.  but hey, he overcame his cop training and didn't shoot her on sight!  go rick?

...our verdict? ...sort of a movie.  live!

well, that was an interesting story. it foretells some things that we don't really want to see, but do indeed happen in the comics. today held to the comics fairly closely itself, along with the past few episodes. andrew lincoln continues to be pretty great, and once michonne gets like, consistent lines we might be heading towards a show that seems mediocre when viewed favourably? like, from a critical perspective?
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Posted in 18-nov-12, ablism, adaptation, episode 6, horror, hounded, live blog, liveblog, racism, recap sexism, sort-of-a-movie, spoilers, the walking dead season three, walking dead season 3, women characters | No comments

Thursday, 15 November 2012

My Interview with Joe Bradley

Posted on 08:02 by Unknown

For years, every time Joe Bradley made a show of new paintings, they appeared to be the work of a new artist. When he showed his stacks of colorful, modular panels, they suggested affable robots and regal sailboats and the whole lineage of geometric, monochromatic painting. Later, he made a group of “schmagoo” paintings—big canvases with single, crude grease-pencil drawings of the most dumbed- down icons—a fish, a cross, a Superman logo, a stick figure— completed in what appeared to be a matter of seconds. Other shows have included screen prints, doodles on scrap paper, spartan collages, and blank tan canvases with painted frames.

Recently, through hopscotch experimentation, Bradley has settled into a more consistent style of abstract-figurative painting. Using oil-paint sticks, he draws on raw canvas with the abandon of a feisty child searching for a subject. Intermittently, he’ll drop the half-finished pieces onto the floor and let them roll around until they accrete a patina of “shmutz,” as he calls it. Sometimes he’ll stitch together multiple in-progress canvases in an effort to further “glitch” whatever techniques he accidentally acquires. In this way, he’s become undeniably skilled at making the unskilled mark, and the results are transcendent: standing in front of his new work stirs up a visual epiphany of lowbrow wisdom.

For this interview, I visited Bradley twice: once at his old studio in the Greenpoint neighborhood of Brooklyn, and later at his current, exponentially larger space in the Brook- lyn Navy Yard. The new studio has allowed his paintings to expand in size, and the entire multiroom complex was cov- ered—floors and walls—with drawings and paintings, near ready to be shipped off for a European show. As we spoke, we flipped through his piles of art books and Bradley smoked more cigarettes than I could count. A few days later, I ran into him in my neighborhood, where his boy, Basil, was buzzing around the block, and we discovered that we live only a few feet from each other. The below transcription captures the be- ginning of the conversation that now continues, every so of- ten, on the sidewalk in front of our homes. 

THE BELIEVER: How do you start these new paintings?

JOE BRADLEY: There’s a long period of just groping around. I usually have some kind of source material to work off of—a draw- ing or a found image—but this ends up getting buried in the process. Most of the painting happens on the floor, then I’ll pin them up periodically to see what they look like on the wall. I work on both sides of the painting, too. If one side starts to feel unmanageable, I’ll turn it over and screw around with the other side. That was something that just happened out of being a frugal guy, I guess. But then, be- cause I am working on unprepared canvas, I get this bleed- though. The oil paint will bleed though to the other side, so I get this sort of incidental mark.

BLVR: Is that a lot of what you see here? Is the incidental mark?

JB: Yeah, I mean, I could point it out. Like on this one [point- ing], that kind of pinkish triangle to the left is bled through.

BLVR: The purpose of priming a canvas is to prevent it from doing that, from...

JB: Rotting.

BLVR: Is that a worry of yours?

JB: I don’t lose any sleep over it. As long as they’re OK dur- ing my lifetime. Maybe someone else will have to deal with it.

BLVR: Do you just like the look of raw canvas?

JB: I like the way it looks, and it feels more like drawing to me. The raw canvas looks like paper to me. Like newsprint. With a primed, gessoed canvas I feel compelled to fill the whole thing in. You lose some of the drawing...

BLVR: There’s also just this atmosphere of—

JB: Shmutz.

BLVR: Do you let this shmutz dictate what you paint? Do you riff off of accidents?

JB: The shmutz—the accidents are important. There’s not a lot of really direct drawing in these things.

BLVR: “Direct drawing” meaning you have an idea and then you try to make that idea?

JB: Yeah, it’s more about conjuring something over time, rather than having... you know, thinking, Oh I’d like to draw a pony here, and then just going for it. And living with it.

Read it in full at The Believer
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Sunday, 11 November 2012

The Walking Dead Season 3 Liveblog! Episode 5: Say the Word

Posted on 17:45 by Unknown
hey! you're back, and so are we!
it's sunday again, and so we'll be here liveblogging The Walking Dead.

Today's episode is called "Say the Word", which inspires further musical references.

The Beatles are well aware of the word, and its implications.

What does this week's episode have in store for us?

How will Rick cope with Lori's death?

hint: not well. probably about as well as the writers? who's the lady trope now?

How will the deaths of two members (and a potential third?) affect the group?
How will Carl adapt to having a little sister?
...will they name her?
How will Daryl find formula or baby food out there in walker land?
Daryl is by far the most stylish of Rick's group.


Oh, right. Stuff will also happen involving Woodbury, and Merle, and Carol, and Andrea, and Michonne, and the Governor, and this will all eventually intersect. Spoiled!
Hop, Skip, and Jump along with us to find out all about what happens this week, and how many walkers get beaned.


8:30 - sooo, this is like the beginning of a party, when the cool kids haven't showed up yet. you've clearly misjudged how long transit was going to take you. you're here early, basically. the host invited everyone for this time, but, seriously... who's punctual these days? well apparently you are. and we commend that. thanks a lot for coming out. we're busy running around, preparing all the little gadgets and doodads required for a liveblog so talk amongst yourselves. there's chips and pop, and you can put on some cds if you want.

yummy.
 8:45 - not to keep harping on the food business, but we get really thirsty during these liveblog dealies. as a result, we tend to drink a bit.

today we're drinking some Tankhouse Ale from Mill Street Brewery, some La Fin Du Monde from Unibroue, and as per usual a bit of the leafy from David's Tea. Not sure what you drink, but you better get it lined up. We hear there's a bit of a party in Woodbury tonight!

merle gets silly when get drinks.


9:00 - of course they want to show us what happened last week. of course it was quite dark, and pretty sad. of course we wonder how they'll top it this week.

9:01 - more a boy and his dog references as we open up. a little girl plays fetch through a party at woodbury town centre.

scientist boy, looking all 50's and pleasantville brings andrea a drink.


i bet you these people live down the block from the governor.


andrea wants to know what's on tap for tonight.

"few words can describe the festivities ahead for tonight," she's told.

in the background, michonne struggles with the locals, bumping shoulders with one in a group of men. nice.

9:02 - shit. in the next scene we meet the governor's daughther! drink.

we were psyched for this. glad the writers decided she exists.

he was combing her hair, all domestic style, classical music in the background and her scalp ripped.
they struggle, but he puts a burlap sack over her head and calms her down.

"hey, hey. i'm here. daddy still loves you. you know that, right?"

this is fun and creepy.
the music cues are great.
but does that mean zombies can feel pain?  and why were her arms untied in the first place (she appears to be wearing a straightjacket)?

9:04 - just as the governor finishes subduing his daughter, he sees michonne out his window, looking in. presumably having seen everything?

good job, buddy.
leave the windows open.

i don't see this ending well for anyone.

and while i appreciate michonne's detective work, her stalking, spying and peeping tom propensities are, well, not seeming so wise.



anyway, commercial time.

9:07 - we come back to nice sound cues, rick not being able to hear much but low frequencies and a high buzz.

he comes back to, and everyone's discussing the emergency and need for food.

"not this one, not another one."

daryl starts shouting orders and organizing the crew.
 it's quite a good character development.  yay daryl!  he also leaves instructions with beth to look out for carl, since he just lost his mom and his dad seems to be coming unhinged.  dear writers: please do not advance a carl/beth storyline.  my stomach cannot handle it.

rick freaks out, grabs an axe and heads inside the cell block.

maggie and glenn are going with daryl to decide who accompanies him on a mission to find baby formula and supplies.

maggie wants to go. her and her great sweater.
glenn resists, but ultimately respects her decision.  yay glenn!
it's all very the dark knight, and the moment that made my heart break for harvey dent and the depth of his love and respect for rachel.

"trust me, harvey...bruce's penthouse is now the safest place in the city."
(link)

they share a cute kiss before daryl and maggie take off.

we cut back to rick, and he's cutting through walkers and making his way through the prison.

9:10 - back in woodbury, the governor discusses how far they've made it. coming from nine people holed up in an apartment with "spam and saltine crackers."

they toast their successes.

meanwhile, michonne and her crazy serious walk are in the governor's house, stealing her sword back.  heavy footsteps, don't you think?

she eyeballs some family pictures, and then goes through some important looking pages in a notebook. the last legible page is a list, the last (underlined, shakily-printed) name upon which is penny. then there are pages, and pages and pages of little lines. very the shining

look! another axe. the similarities are striking.  except the governor is way more hardcore, because longhand.

michonne closes the book and turns around, looking to pick the lock of the door behind her.

she's interrupted by science guy (sadly not bill nye), the governor and merle coming back, arguing about wasting resources with this party. science guy needs electrical resources for his...research.

the governor needs cases of hoplanta ipa.

the science guy wants to delay the party, but the governor says no.

9:12 - there's some tense moments, but the men leave, and michonne has already made her way out a window and into a very messy, bloody back alley. there's a bunch of guts, and pieces of walkers (or people) in a little cleared out area near a wall.

she's drawn by the sound of walkers to a fenced in area where dozens are kept.
why does every little group keep walkers on this show?
what do they hope to gain?

why doesn't michonne talk?

anyway, she opens the gate and unsheathes her sword.

they come at her, but there's just an awesome, awesome scene of arms and legs and heads coming off. torsos split in two, and heads stomped.

she's quite pleased with herself, as is everyone in this world where they seemingly kill for entertainment, but hey. happy michonne!

9:15 - there's a shot of a person with umm, slops? coming out, and we don't see who they are, but they go to commercial anyway.

9:17 - uh oh! someone's in trouble.

michonne is in a room with merle, and in comes the governor and out goes merle.

"you get off on that?" he asks. "poking around in other peoples things?"

"we got nothing to hide here," he tells her.

whoa! she breaks her silence.

"people with nothing to hide don't often feel the need to say so."

 "we all have our secrets."

"like penny?"

go-go gadget governor hairbrush!
(link)

so here's a pretty serious conversation. governor claims he's trying to do right by everyone. andrea wants to stay, michonne wants to go. it's tough.

he was totally going to give her sword back, though (yeah right). but now he's not.  waah.

he starts pacing around her with the sword.

governor's got a problem with michonne. she broke the rules. he can't have people breaking the rules, or else everyone will. he proposes a deal where she joins the research team in exchange for his silence.

"merle'll take care of ya, and ya ain't afraid of biters..."

she responds by tearing her sword from his grasp, placing it against his neck and backing away very slowly.


she storms out and merle comes back in.

"how'd it go?"

"she's a whole other personality that one."

merle asks if there's a problem, and the governor wants andrea.

9:21 - we cut back to glenn, and he's digging in the yard. axel and oscar stop by to talk.

glenn asks about the perimeter, and the men offer help.
glenn just wants to dig.

yes, even though they live in a reality where they don't know the word zombie, these people totally had minecraft.
 
oscar tells glenn how the group is obviously more than friends, more like a family. he's sorry they lost some.

glenn sees hershel at the fence, and gives the guys a shovel.

"we need two more".

we go over, and glenn and hershel is pissed. hershel calls andrew an "asshole" and glenn laments the loss of a third of their group in a day. he tells about how t-dog drove around with a church van picking up seniors when the evacuations were declared, just in case they needed rides.  and hey writers, these are really beautiful details and all.  but it sure would have been nice if you would have let t-dog showcase some of them himself, instead of revealing them after you already killed him off.  but whatevs.

he tells hershel he wishes they had killed all the prisoners, so that this wouldn't have happened.  he confesses that he'd sacrifice any stranger in order to keep his own safe.  oh, glen.  this makes me so sad.

anyway, he offers to go into the prison to bring rick out.

9:24 - we cut to andrea and the governor, and some he-said-she-said and michonne and her sword, and the biters they keep locked about.

the governor says they aren't barbarians.

what's that, lassie?  is racism stuck in the well again?
(link)

andrea goes back to michonne, who's freaking out and packing their shit. they have another throw down, and michonne points out that nobody leaves.

"nobody leaves unless they make you."

michonne then goes on to talk about the little girl in the house.

andrea says they need to try. michonne says she tried, and andrea points out that breaking into houses isn't trying.  except that this makes andrea sound reasonable, when we all know that the real reasonable thing would be to listen to michonne!

"this place is not what they say it is," michonne tells andrea.

9:26 - cut to glen tracking rick's rampage down the halls, following all the broken, halved skulls.
he comes upon rick who's in shock, staring down a bloodstain on the wall.

"rick? rick. i was worried about you. you shouldn't be in here."

glenn tries to convince rick that he doesn't need to do this on his own, and they can clear the cell block.

 a deranged rick is more interested in tossing glenn against a wall, wordlessly staring him down for like 30 seconds, and then tossing him away before we go to commercial.

9:30 - back with the woodbury boys and their fancy army trucks, it seems.

merle and some men approach some sort of solar powered turbine noise-maker dealy?
it looks like maybe it was a walker trap?

merle's excited.
he wants to kill some things.

the scientist is more interested in getting one of them out. merle makes him try it, and when they release the flock, one breaks free and starts biting the scientist. luckily, he's wearing some fancy biteproof shit that looks like duct tape.

(link)

it's quite interesting the pseudo-science these woodburians are getting up to. i wonder about the ramifications it will have down the line.

merle breaks and and clears the scene out rather sadistically with his hand-sword before knocking the last biter down and gleefully removing its teeth.

9:33 - maggie and daryl arrive at what appears to be a school? a building near a playground with cribs, any way.  probably a daycare.

maggie wisely breaks a window loudly and starts grabbing gear without assessing the scene.  spunky!

daryl jumps in and looks at a wall.
this wall has little kids' hands  on it with their names, y'know all traced out?
one was sofia and he gets emo.

some sharp tense synths start the next shot out, as our two friends eerily march down a shadowy hallway, arriving at one last room. there's a bit of noise coming from inside.

daryl walks around with a flashlight in his mouth and its funny and he's a pro.

9:35 - so anyway they pop the noisy closet open and it's a possum.
daryl shoots it.

and yay, now they have dinner!  thus ends the anticlimactic scene.

9:36 - back in woodbury, angela and michonne are trying to leave, and merle is having none of that.
"it's late it's near curfew, and the party's still on. i'd have to arrange an escort."

merle turns to talk to one of the guards about the kerfuffle.

"the governor told us we were free to come and go whenever we like," andrea says getting up in merle's face.

"sweetheard, nothing personal here, but you're going to have to take a step back."  and so she...does?  i don't know, man.  andrea.

"see, always a reason we can't leave," michonne tells andrea as she returns back to her.

suddenly there's a loud unlocking noise, (yay!) and a guard calls out "clear."

merle opens up the gates

"now if i was y'all, i'd find some shelter before nightfall," he tells them

"they knew we were coming, this is all for show!" michonne is still skeptical, but andrea is having none of it.

michonne wants to go. andrea says she begged to governor to let michonne stay - albeit, against michonne's wishes. she doesn't want to live on the road, or in meat lockers, eating twigs.

"and you -"

"- what about me?"

"i'm afraid you're going to disappear."

andrea goes on about how they always wanted a place like this. a refuge.  but michonne sticks to her proverbial guns.

"are you coming?"

"don't give me this, don't give me an ultimatum."

there's a bunch of lip-twitching and sadness, and then michonne turns.

(link)

"you just slowed me down, anyway," michonne tells andrea, and walks away.

merle quickly closes the gates as runs toward them, calling after michonne. the scene ends with michonne walking away and andrea watching at her through slats in the fence, perhaps already regretting her decision.

andrea needs to wisen up. this lady kept her alive through her fever/flu, whatever. she's not taking off or freaking out for no reason. anyway, commercials.

9:43 - back in woodbury, andrea sits sadly on a bench.
the governor comes over to console her.

"sorry things didn't work out with your friend. weird to lose someone by their own hand. thought those days were gone."

now he offers her a drink. he always wants people to drink, it seems. interesting.

"something to take your mind off it."

apparently you can drink on the streets in woodbury.

9:44 - night has fallen completely now, and maggie and daryl return to the prison, blasting their way through walkers with precious, precious formula.

daryl walks in and takes the baby from carl, and begins feeding it with his pre-set bottle with formula ready to go. daryl's got this situation on lockdown. when the baby stops crying, daryl asks if it has a name yet.

"maybe sofia..."

carl starts off. then he names literally every woman on the show that's died, ending with lori.
 everyone gets sad.

daryl suggests asskicker as a name.

"you like that?  huh, little asskicker?  you like that, sweetheart?"

aww.

9:46 - shiiii

so rick finally gets to the boiler room that little asskicker was birthed in.

but umm, the body's not there. some guts are, but not the body.

rick finds a bullet casing on the ground, and a path of blood and stuff the ground that obviously leads to a fucking walker that's eaten lori.

because rick is crazy he shoots the walker in the head and then goes back to get the birthing knife for little asskicker.

of course, he comes back to the walker and starts stabbing the hell out of its huge, bulging stomach with the knife that carl carried around that ultimately dealt what would have been a fatal wound to lori.  i guess that's marginally less gross (but also way less interesting!) than my prediction, which was that he would attempt to carve out lori's remains.

the parallells between the shots, walker belly, lori belly, were quite umm... creepy? but hey, that's a show about zombies/pregnancy body-horror for ya.

any way, yeah, rick goes stabby and we go to commercial.

9:53 - nighttime at woodbury, and there's a real party, with real (what would have been licensed) rock and roll music that i frankly, can't really remember the name of.
edited to add: apparently it's lynyrd skynyrd's "mr. saturday night special."  and we are choosing not to link the video due to their recent decision to keep representing themselves with racist iconography.  clearly, it's their loss.

"little loud," andrea says.

just then, the music starts blaring, and the lights go up.

apparently merle and another man are going to murder up some chained-up walkers.

andrea looks on horrified as the citizens literally cheer on merle who's going to kick some biter ass
"no-handed."

a man lifts a child up on to his shoulders so he can watch.
oooh, i see. this isn't the men fighting the biters. the men are fighting each other, with the biters at ringside? like wrestling? like a lumberjack match, mixed with mma?

(link)

it seems like as the rounds go on the referee extends the biters' chains?

andrea tries to leave.
the governor stops her.

he asserts this is simply to blow off some steam.

andrea calls it barbaric and crazy, but the governor stops her yet again, misunderstanding the nature of her reaction.
oooh, it turns out this is staged, and fake like wrestling.  somehow the governor thinks this will mitigate andrea's feelings?  super creepy.

these are the walkers that have their teeth pulled out.
okay then.

the governor explains this is about making people not scared of the biters.
not sure he gets the point, but hey, his daughter is a biter.  maybe he would know.

merle pins the other guy for the 1-2-3 (which he counts in spanish, because merle is racist), just like in 'rasslin'

9:58 - we cut to morning, with shots of the sunrise over razor wire.
daryl is is paying his respects to a grave, one with a 'c' of rocks in front of it? probably carol's? maybe lori's? who knows?

9:59 - back inside, rick is going crazy, and hearing a baby crying. then a phone ringing... but the phone is actually ringing? the phone?

andrew lincoln is great.

"hello?"

aaaaaand, that's the show.

okay. that was pretty good. lots of gory walker kills. development in terms of some stories, mostly michonne and andrea and the woodbury business. they also developed a bunch of the creepiness that is science and politics of woodbury.

they've introduced the governor's daughter, which is great.
they've introduced the phone which is great.
michonne got to speak, which is great!
but they over-used cliff-hangers.  which is not great.  and also i got bored sometimes.
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Posted in 11-nov-12, ablism, adaptation, gender, horror, live blog, liveblog, racism, recap race, sexism, spoiler, SPOILER ALERT, spoilers, the walking dead, the walking dead season three, women characters | No comments
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